The Brutalist Report

Ingrid Andress Talks Frankly About the National Anthem That Made Her ‘America’s Punching Bag,’ What She Learned in Rehab, and Being ‘Terrified’ Before Her Joyful Do-Over: ‘You Can’t Mess It Up Twice’ [271d]
‘We Are Storror’ Review: In Michael Bay’s Hands, the Parkour Team Comes Off Looking Like Real-World Action Heroes [271d]
Aliens Are Real, U.S. Government Officials Have Admitted. ‘The Age of Disclosure’ Director Dan Farah Wants You to Know There’s More to the Story [271d]
Amanda Seyfried Says Glen Powell Stopped Her Dress from ‘Falling Off’ at the 2023 Critics Choice Awards: ‘My Boobs Fell Out’ [271d]
‘The Age of Disclosure’ Review: A Documentary Claims to Offer Proof that Alien Spaceships Are Visiting Us. But Does It Really? [271d]
Jenna Ortega Says Working with Lady Gaga on ‘Wednesday’ Season 2 Has Been ‘The Best’: ‘Definitely One of the Most Talented Individuals I’ve Ever Worked With’ [271d]
Former James Bond Pierce Brosnan Says It’s ‘A Given’ That the Next 007 Must Not Be American: I Hope Amazon ‘Handles the Work and the Character With Dignity’ [271d]
‘Forge’ Review: Jing Ai Ng Puts a Fresh Coat of Paint on a Satisfying Crime Caper [271d]
‘Holland’ Director Mimi Cave on Working With Nicole Kidman and Keeping Audiences Guessing: ‘Hopefully, You Don’t Know Who to Believe’ [271d]
Ramy Youssef First Pitched Muslim-American Comedy ‘#1 Happy Family USA’ in 2020, Isn’t Sure It’d Get Picked Up Today: ‘Remember Happy Trump?’ [271d]

The Brutalist Report

The A.V. Club

Vanity Fair

The Points Guy

TMZ

Variety

The New Yorker

Heavy

Esquire

Mashable