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Olivia Colman as Queen Elizabeth Not Eligible for ‘The Crown’ in Emmy Guest Actress Race, Claire Foy Remains Early Favorite (EXCLUSIVE)
[760d]
Metrograph Pictures Nabs Sandhya Suri’s Cannes’ Un Certain Regard Highlight ‘Santosh’ For North America (EXCLUSIVE)
[760d]
Andrew Huberman Signs With WME (EXCLUSIVE)
[760d]
Sideshow, Janus Films Buy Payal Kapadia’s Cannes Competition Entry ‘All We Imagine as Light’ for North America (EXCLUSIVE)
[760d]
Chile’s Karla Melo to Headline Booze-Fueled Comedy ‘Relatos de una Mujer Borracha’ (EXCLUSIVE)
[760d]
Windows 11 is getting a new look according to a leak - but it might be exclusive to AI-powered PCs
[760d]
‘Abbott Elementary,’ ‘Shōgun,’ ‘Only Murders in the Building’ Among Shows at Disney’s Emmy FYC Fest (EXCLUSIVE)
[760d]
Exclusive: San Francisco Fed's Daly says no "urgency" to adjust interest rates
[760d]
Ari Aster and Lars Knudsen’s Square Peg Boards ‘Hansel and Gretel’ Stop-Motion Feature as Executive Producers (EXCLUSIVE)
[761d]
Sundance Now Acquires Natalie Dormer Murder Mystery Series ‘White Lies’ For North America (EXCLUSIVE)
[761d]
INSP’s ‘Blue Ridge: The Series’ Gets Premiere Date (EXCLUSIVE)
[761d]
Inside the Legal Battle to Recut Trump Movie ‘The Apprentice’: Why Billionaire Investor Dan Snyder Is Furious With Ex-President’s Portrayal (EXCLUSIVE)
[761d]
Sean Cronin’s Magnificent Films Unveils Brace of Vampire Projects at Cannes Market (EXCLUSIVE)
[761d]
‘The Crown’-Inspired Drama About Iran’s Last Royal Family in Development at Random Access Media (EXCLUSIVE)
[761d]
New Italian Label PiperFilm Launches With Paolo Sorrentino’s ‘Parthenope’ and Post-Theatrical Window Deal With Netflix (EXCLUSIVE)
[761d]
Cannes Title ‘Santosh’ First Clip Unveiled: ‘Religious Intolerance, Casteism, Prejudice and Misogyny Are Sitting Heavily in the Atmosphere’ (EXCLUSIVE)
[761d]
‘Mothers’ Instinct’ Set for China Theatrical Release (EXCLUSIVE)
[761d]
Film Factory Takes Global Rights to ‘Ex Machina’-Inspired Spanish Sci-Fi Thriller ‘Singular’ (EXCLUSIVE)
[761d]
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