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In ‘The New Year That Never Came’ Bogdan Muresanu Urges People to Remember Ugliness of Ceausescu’s Regime – and to Check Santa’s CV (EXCLUSIVE)
[656d]
Venice Competitor ‘Stranger Eyes’ Director Yeo Siew Hua Developing Limited Series as Part of Producer Akanga Film Asia’s Growing Slate (EXCLUSIVE)
[656d]
Fandango’s ‘The Story of Frank and Nina’ Debuts Clip Ahead of Venice Premiere (EXCLUSIVE)
[656d]
McManus Brothers Wrap Production on Horror-Thriller ‘Redux Redux,’ First Film From Mothership Motion Pictures (EXCLUSIVE)
[656d]
PBS’ ‘American Masters’ Sets Documentary on Marlee Matlin’s Life With ASL as Primary Language (EXCLUSIVE)
[656d]
Rep. Eric Swalwell Executive Producing Rohit Karn Batra’s ‘The Gun on Second Street’ (EXCLUSIVE)
[656d]
‘The Boys’ Star Tomer Capone Set for New Keshet Rom-Com Series ‘Save The Date’ Alongside Adi Havshush (EXCLUSIVE)
[656d]
Gaumont’s Thriller ‘Night Call’ Sells Nearly Worldwide as it Opens in French Theaters (EXCLUSIVE)
[656d]
Content Partners Launches Private Capital Investing Division Led by Alphonse Lordo (EXCLUSIVE)
[656d]
More Than 65 Palestinian Filmmakers, Including Hany Abu Assad and Elia Suleiman, Sign Letter Accusing Hollywood of ‘Dehumanizing’ Palestinians (EXCLUSIVE)
[656d]
PSVR 2 is set to miss out on another big PS5 exclusive
[656d]
‘NFL Pro Era’ VR Game Shifts to Live-Services Model for 2025 Edition, Adds Defensive Gameplay (EXCLUSIVE)
[656d]
France’s Still Moving, Switzerland’s GoldenEggProduction Link For ‘Tropical Malaise,’ From SXSW Winning Director (EXCLUSIVE)
[656d]
France’s Dublin Films Bets On San Sebastian Co-Production Forum Project ‘A Different Garden’ (EXCLUSIVE)
[656d]
France’s Caractères and Chile’s Planta Have Boarded San Sebastian Co-Production Forum-bound ‘Hard Boiled School’ (EXCLUSIVE)
[656d]
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