The Brutalist Report

The A.V. Club

• R.I.P. Jules Feiffer, Pulitzer Prize-winning cartoonist  [36d]
• High Potential reaches potential, secures second-season renewal [36d]
• Prime Target is an unremarkable thriller about a remarkably hot math whiz [36d]
• Maybe Ryan Gosling can get a Star Wars movie made [36d]
• Netflix needs more money [36d]
• Toxie lives: Toxic Avenger reboot gets a theatrical release [36d]
• A modern generational nightmare comes alive in Tubi's The Z Suite trailer [36d]
• Trump plans to back billions of dollars in AI infrastructure [36d]
• TikTok maintains that rules haven’t changed under President Trump [36d]
• R.I.P. Garth Hudson, last surviving member of The Band [36d]
• Abbott Elementary renewed to enter 5th grade [36d]
• Mufasa is still king at the long weekend box office [36d]
• Twitter/X becomes latest TikTok mimic with dedicated video tab [36d]
• Kate Hudson gets her girlboss on in first look at Mindy Kaling's Running Point [36d]
• Steven Soderbergh cracks another genre with the clever ghost story Presence [36d]
• Jon Stewart is reluctant to name Elon Musk's inauguration gesture on The Daily Show [36d]
• Brady Corbet says The Brutalist's AI usage was done with "utmost respect for the craft" [36d]
• Jane Austen leaves behind a legacy (and romantic mystery) in Miss Austen trailer [36d]
• A24’s Opus trailer traps Ayo Edebiri in John Malkovich’s cult of celebrity [36d]
• Don’t sleep on Asura, Hirokazu Kore-eda’s gorgeous Netflix series [36d]
• The biggest casualty of The Phantom Of The Opera was Patrick Wilson’s movie-musical career [36d]