The Brutalist Report

The A.V. Club

• AI has come for comics on stage and in The New Yorker [19d]
• David Zaslav bids farewell to industry he helped destroy [19d]
• Letterboxd users attempt to pool money to buy platform [19d]
• Great Job, Internet!: Wedding Crashing DVDs are uncorking all over Little Free Libraries [19d]
• Imperfect Women will be down an imperfect woman for season 2 [19d]
• Get ready for more Vikings in our first look at Bloodaxe [19d]
• Eternally Yours asks: What if Ghosts, but vampires? [19d]
• The Batman: Part II is "temporarily" on pause [19d]
• Sicario 3 is getting the gang back together [19d]
• Ryan Murphy pushes back against the "camp" label [19d]
• Alejandro G. Iñàrritu expected and prefers Digger's negative reception [19d]
• The trippy Mononoke trilogy is some of the most adventurous filmmaking Netflix has ever platformed [19d]
• R.I.P. In Living Color's Reggie McFadden [19d]
• Alfie Allen is a villainous tech billionaire in The Institute season 2 trailer [19d]
• The Daily Wire's new ICE propaganda film temporarily shut down in Montana [20d]
• Girth is the word in trailer for Manhood documentary [20d]
• Anatomy Of A Finale: Does Lanterns soar or sour in the end? [20d]
• Karoline Leavitt to spend less time with family as Fox News contributor [20d]
• John Oliver's comedy squad assesses the threat of an unfit Secret Service [20d]
• Digger is in a major box office hole [20d]
• James McAvoy's directorial debut, California Schemin', is an impossibly Scottish comedy [20d]
• Robert and Michelle King want humanity to be the focus of Cupertino's AI stories [20d]
• Youth has a lot on its mind—maybe a little too much [20d]
• Lanterns pays off its mission with heroic grace [20d]
• Slam Frank might be the most subversive show in New York [20d]