The Brutalist Report

The A.V. Club

• R.I.P. Jules Feiffer, Pulitzer Prize-winning cartoonist  [485d]
• High Potential reaches potential, secures second-season renewal [485d]
• Prime Target is an unremarkable thriller about a remarkably hot math whiz [485d]
• Maybe Ryan Gosling can get a Star Wars movie made [485d]
• Netflix needs more money [486d]
• Toxie lives: Toxic Avenger reboot gets a theatrical release [486d]
• A modern generational nightmare comes alive in Tubi's The Z Suite trailer [486d]
• Trump plans to back billions of dollars in AI infrastructure [486d]
• TikTok maintains that rules haven’t changed under President Trump [486d]
• R.I.P. Garth Hudson, last surviving member of The Band [486d]
• Abbott Elementary renewed to enter 5th grade [486d]
• Mufasa is still king at the long weekend box office [486d]
• Twitter/X becomes latest TikTok mimic with dedicated video tab [486d]
• Kate Hudson gets her girlboss on in first look at Mindy Kaling's Running Point [486d]
• Steven Soderbergh cracks another genre with the clever ghost story Presence [486d]
• Jon Stewart is reluctant to name Elon Musk's inauguration gesture on The Daily Show [486d]
• Brady Corbet says The Brutalist's AI usage was done with "utmost respect for the craft" [486d]
• Jane Austen leaves behind a legacy (and romantic mystery) in Miss Austen trailer [486d]
• A24’s Opus trailer traps Ayo Edebiri in John Malkovich’s cult of celebrity [486d]
• Don’t sleep on Asura, Hirokazu Kore-eda’s gorgeous Netflix series [486d]
• The biggest casualty of The Phantom Of The Opera was Patrick Wilson’s movie-musical career [486d]