The Brutalist Report - newyorker
- “Hit the Road,” Reviewed: A Mysterious and Thrilling Revelation from Iran [1222d]
- “We’re All Going to the World’s Fair” and a Short History of Movies About the Internet [1222d]
- Some Pressing Questions for Elon Musk as He Pursues Twitter [1222d]
- How “Better Call Saul” Brilliantly Killed the Thrills of “Breaking Bad” [1222d]
- A “Pie” Chart to Represent How I Spend My Mental Energy Each Day [1222d]
- Daily Cartoon: Monday, April 18th [1222d]
- DeSantis Warns That Math Makes Children Gay [1223d]
- Elif Batuman Reads “The Repugnant Conclusion” [1223d]
- The Mail [1223d]
- Mario, Not So Super at Forty [1223d]
- A Ukrainian Novel Looks Between the Lines of War [1223d]
- “The Repugnant Conclusion,” by Elif Batuman [1223d]
- The Renewable-Energy Revolution Will Need Renewable Storage [1223d]
- “Severance” Is Sci-Fi for the Soul [1223d]
- Briefly Noted Book Reviews [1223d]
- “The Vagrant Trilogy,” Two Years Late [1223d]
- “The Years,” by Alex Dimitrov [1223d]
- Elif Batuman on Choosing an Aesthetic Life [1223d]
- “After My Brother’s Death, I Reflect on the Iliad,” by Elisa Gonzalez [1223d]
- Jamie Lloyd’s Minimalist Hip-Hop “Cyrano de Bergerac” [1223d]
- Slide Show: New Yorker Cartoons April 25 & May 2, 2022 [1223d]
- How Democracies Spy on Their Citizens [1223d]
- Alice Walker’s Journals Depict an Artist Restless on Her Laurels [1223d]
- Fivio Foreign’s Big Move [1223d]
- Christoph Niemann’s “Virtual Reality” [1223d]
- Wikipedia, in the Flesh [1223d]
- Transforming Trees Into Skyscrapers [1223d]
- What Happened When a Single Mom Started Filing Income Taxes Again [1223d]
- Arcade Fire Goes Back to an Old Sound for Its New Record [1223d]
- Cartoon Caption Contest [1223d]
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