The Brutalist Report - newyorker

The New Yorker

Were the 2026 Oscars a Swan Song for Warner Bros.? [1h]
As Movies Adapt to the Times, the Oscars Can Only Look On [5h]
Daily Cartoon: Monday, March 16th [7h]
The 2026 Oscars Were a Protest Against Their Own Irrelevance [7h]
Seeking a Second Passport [11h]
Maira Kalman’s “Amid It All” [11h]
Lisa Kudrow Is Back—Again [11h]
Letters from Our Readers [11h]
Who Bankrolled the American Revolution? [11h]
Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed [11h]
How Zac Posen Went from Making Ball Gowns to Remaking the Gap [11h]
Doctor Mike’s Internet Medicine [11h]
Wendy Red Star Gets Her Bag [11h]
How to Be Your Own Super [11h]
“Then,” by Jorie Graham [11h]
Junior LaBeija, Master of Ceremonies [11h]
Rolling Out Our New A.I. Tools [11h]
What’s Behind Trump’s New World Disorder? [11h]
Briefly Noted Book Reviews [11h]
How Doodles Became the Dog du Jour [11h]
How Arsenio Hall Shook Up Late Night [11h]
“The Life You Want,” Reviewed [11h]
“Réservoir,” by Tova Gannana [11h]
The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar [21h]