The Brutalist Report

The New Yorker

• Our Misguided Obsession with Twitter [1207d]
• A Ukrainian Diplomat on the Future of Russian Aggression [1207d]
• Ron DeSantis and the Unlearned Lessons of the G.O.P.’s Culture War [1207d]
• The Leftovers of New York City Deserters [1207d]
• Were the Film-Set Heists in Atlanta an Inside Job? [1207d]
• Daily Cartoon: Monday, May 2nd [1207d]
• The Story of an Owlet Named Weeps [1207d]
• Our Obsession with Ancestry Has Some Twisted Roots [1207d]
• “The First Lady” Is a Bad-Wig Costume Drama [1207d]
• The Rediscovery of a Lost Black Playwright [1207d]
• Kadir Nelson’s “Hang Time [1207d]
• Dinosaurs, New Jersey, and Impending Doom in “The Skin of Our Teeth” [1207d]
• Saïd Sayrafiezadeh on Writing About Bad Jobs [1207d]
• The Making of a Femicide [1207d]
• Making Art Out of Inflation [1207d]
• Madison Cawthorn and Mark Meadows: Congressional Racers [1207d]
• “Pompeii,” by Cynthia Zarin [1207d]
• “Nondisclosure Agreement,” by Saïd Sayrafiezadeh [1207d]
• Spoon Gets Sidelined in New York [1207d]
• The Mail [1207d]
• The Costs of War [1207d]
• Slide Show: New Yorker Cartoons May 9, 2022 [1207d]
• How Ukrainians Saved Their Capital [1207d]
• Mastering the Art of Stress Eating [1207d]
• Briefly Noted Book Reviews [1207d]
• “Sundown Walks to the Edge of the Story,” by Joy Harjo [1207d]
• Saïd Sayrafiezadeh Reads “Nondisclosure Agreement” [1207d]
• Cartoon Caption Contest [1208d]