The Brutalist Report - newyorker

The New Yorker

The New Season of “Industry” and the Rise of Workplace TV [1085d]
Bill Russell Was Basketball’s Adam [1085d]
What Really Drives Members of Congress to Do the Unthinkable? [1085d]
Trump Demands Recount After Biden Has More Positive COVID Tests Than He Did [1085d]
Who’s That Baby? [1085d]
Daily Cartoon: Monday, August 1st [1085d]
How Toxic Is Masculinity? [1085d]
“I Am Simon Armitage” [1085d]
How Salman Toor Left the Old Masters Behind [1085d]
Sam Taggart’s Hard Sell [1085d]
When New York Ruled the World [1085d]
Briefly Noted Book Reviews [1085d]
What Should a Nine-Thousand-Pound Electric Vehicle Sound Like? [1085d]
The Prosecution of Russian War Crimes in Ukraine [1085d]
The Actors Fund—Not Just for Actors!—Rebrands [1085d]
The Mail [1085d]
A Boa Constrictor and a Chinchilla Walked Into a Bar [1085d]
The saxophonist Charles Lloyd, Still Stirring the Soup at Eighty-Four [1085d]
Ian McEwan on Global Events and Private Lives [1085d]
The Fraught Fantasies of “Into the Woods” and “Hamlet” [1085d]
The Unabashed Spectacle of “P-Valley” [1085d]
R. Kikuo Johnson’s “Double-Parked” [1085d]
How Universal Are Our Emotions? [1085d]
“An Ordinary Morning” [1085d]
Slide Show: New Yorker Cartoons August 8, 2022 [1085d]
“A Duet,” by Ian McEwan [1085d]
Calling All Cute Guys! [1085d]
Cartoon Caption Contest [1085d]