The Brutalist Report

The New Yorker

• “Meet Danny Wilson”: The Strange and Exuberant Frank Sinatra Musical Drama That’s Hardly Ever Screened [1064d]
• Is the Historic Climate Bill Enough to Save the Planet? [1065d]
• Raising Felix: Selling the Baby Stuff [1065d]
• Tucker Carlson Calls Trump’s Theft of Nuclear Secrets Less Worrisome Than Hunter Biden’s Use of Joe’s Netflix Password [1065d]
• Daily Cartoon: Monday, August 15th [1065d]
• The Nora Ephron We Forget [1065d]
• Elon Musk’s New Frontier: Your Body [1065d]
• The Paranoid Style, at Kerouac’s Dive [1065d]
• Briefly Noted Book Reviews [1065d]
• My Dad and Kurt Cobain [1065d]
• Saul Goodman Takes On His Sleaziest Client Yet [1065d]
• Alejandro Zambra Reads “Skyscrapers” [1065d]
• Grow Your Own Sports Bra! [1065d]
• Helping the World’s Largest Instrument Get Its Groove Back [1065d]
• “Tender,” by José Antonio Rodríguez [1065d]
• Alejandro Zambra on Omitted Characters [1065d]
• Anish Kapoor’s Material Values [1065d]
• The Door Opened by “Gangnam Style” [1065d]
• “Skyscrapers,” by Alejandro Zambra [1065d]
• Nicole Rifkin’s “Sun-Dappled” [1065d]
• Africa’s Cold Rush and the Promise of Refrigeration [1065d]
• The Mail [1065d]
• Slide Show: New Yorker Cartoons August 22, 2022 [1065d]
• “The Resort” Needs to Relax [1065d]
• “Tea Dance, Provincetown, 1982,” by Sandra Cisneros [1065d]
• The Untold History of the Biden Family [1065d]
• The Lost Underwater Hamlets of the Catskills [1065d]
• American Democracy Was Never Designed to Be Democratic [1065d]
• Cartoon Caption Contest [1065d]