The Brutalist Report

The New Yorker

• Calling Trump the F-Word [1027d]
• A Year Inside a Divided Brooklyn High School [1027d]
• Lauren Boebert Claims Nineteenth Amendment Does Not Exist Because God Gave Moses Only Ten Amendments [1027d]
• What Makes Carlos Alcaraz So Good [1028d]
• For the Underinsured: A Combination Eye-and-Psych Exam [1028d]
• Daily Cartoon: Monday, September 12th [1028d]
• “The Secret Source,” by Ben Okri [1028d]
• How “Less Is Lost” Finds Its Footing [1028d]
• How Owamni Became the Best New Restaurant in the United States [1028d]
• My Literary Education with Elizabeth Hardwick [1028d]
• Lucy Barton’s Experiments in Empathy [1028d]
• A Portrait of David Bowie as an Alienated Artist [1028d]
• Move Over, Açai—It’s the Pawpaw’s Time [1028d]
• Johnson & Johnson and a New War on Consumer Protection [1028d]
• Slide Show: New Yorker Cartoons September 19, 2022 [1028d]
• The Enduring Allure of Choose Your Own Adventure Books [1028d]
• “Dad Poem X,” by Joshua Bennett [1028d]
• Briefly Noted Book Reviews [1028d]
• Ben Okri on the Ambiguity of Reality [1028d]
• When Hollywood Met China [1028d]
• The Good Spirits of “Drink Champs” [1028d]
• Around the World in Seven Years (and One Rowboat) [1028d]
• New York City Has Changed in the Two Hours Since I Moved Here [1028d]
• Johnson & Johnson and a New War on Consumer Protection [1028d]
• The Mail [1028d]
• The Mysterious Case of Inspector Maigret [1028d]
• Ben Okri Reads “The Secret Source” [1028d]
• Namwali Serpell’s New Novel Reinvents the Elegy [1028d]
• “Dusk in Drought,” by Jorie Graham [1028d]
• After the Caldor Wildfire [1028d]
• Cartoon Caption Contest [1028d]