The Brutalist Report

The New Yorker

• Herschel Walker Categorically Denies Ever Playing Football [1307d]
• “Amsterdam” Is an Exemplary Work of Resistance Cinema [1307d]
• Major Decisions Ahead for the Supreme Court [1307d]
• Some Superhero Origin Stories [1307d]
• Kyiv’s Peace Is Destroyed [1307d]
• Using Distance to Fight Addiction and Estrangement [1307d]
• Daily Cartoon: Monday, October 10th [1307d]
• The People vs. Palm Trees [1307d]
• The Bel-Canto Brilliance of Lawrence Brownlee [1307d]
• Ruben Östlund’s Cruise to Nowhere, with Bubbly [1307d]
• When the Hindu Right Came for Bollywood [1307d]
• Chris Ware’s “Lockdown” [1307d]
• “Come Softly to Me,” by David Gilbert [1307d]
• Recipes from the Survivors of Auschwitz [1307d]
• The Science and Emotions of Lincoln Center’s New Sound [1307d]
• Alessandro Manzoni’s “The Betrothed,” Reconsidered [1307d]
• Waiting for the School Bus in Uvalde [1307d]
• David Gilbert Reads “Come Softly to Me” [1307d]
• Slide Show: New Yorker Cartoons October 17, 2022 [1307d]
• The Post-Roe Abortion Underground [1307d]
• The Secret Erotic Drawings of Duncan Grant [1307d]
• “Before Notre Dame Burned, We Went on Vacation,” by Maya Phillips [1307d]
• Lydia Millet’s Post-Human Prose [1307d]
• The Long March Toward a National Latino Museum [1307d]
• The Story They Don’t Tell You About Mary’s Little Lamb [1307d]
• The Mail [1307d]
• Helicopter Parents Are Last Year’s Model [1307d]
• David Gilbert on Finding Stories in Dreams [1307d]
• “Romantic Poetry,” by Diane Seuss [1307d]
• Invasion of the Sports Cheaters! [1307d]
• Briefly Noted Book Reviews [1307d]
• Cartoon Caption Contest [1308d]