The Brutalist Report

The New Yorker

• “Palm Trees and Power Lines,” Reviewed: An Arachnid Groomer and His Abstract Prey [1025d]
• Florida Takes Aim at the First Amendment [1025d]
• The Russian Activist Maria Pevchikh on the Fate of Alexey Navalny [1025d]
• The Serious Takeaway from CPAC: Trump and Trumpism Are Still a Threat [1025d]
• Cosmetic Procedures Trending in 2023 [1025d]
• Luiz Schwarcz Writes About Depression But Refuses to Interpret It [1025d]
• Chris Rock’s Live Experiment in Saving Face [1025d]
• Daily Cartoon: Monday, March 6th [1025d]
• The Law Professor Flying Surveillance Drones in Ukraine [1025d]
• Strawberry Doughnuts and Half-Smoked Butts [1025d]
• Agnes Callard’s Marriage of the Minds [1025d]
• Why We Never Have Enough Time [1025d]
• Eleanor Catton Wants Plot to Matter Again [1025d]
• Diana Ejaita’s “Cultivated” [1025d]
• Can HARDY Revive “Butt Rock”? [1025d]
• I Have Questions for ChatGPT [1025d]
• “How I Became a Vet,” by Rivka Galchen [1025d]
• Zillow, but for Jets [1025d]
• Slide Show: New Yorker Cartoons March 13, 2023 [1025d]
• Briefly Noted Book Reviews [1025d]
• Rivka Galchen Reads “How I Became a Vet” [1025d]
• The Mail [1025d]
• The Fight Over Penn Station and Madison Square Garden [1025d]
• Biomilq and the New Science of Artificial Breast Milk [1025d]
• “Incipit,” by Billy Collins [1025d]
• “Guilt Mountain,” by Ishmael Reed [1025d]
• How Russian Journalists in Exile Are Covering the War in Ukraine [1025d]
• Medieval Romances by Kate Soper and Richard Wagner [1025d]
• Loud and Proud: Black Panther Party Ephemera [1025d]
• Jane Lynch, Born Not to Serve [1025d]
• Rivka Galchen on Fathers and Veterinarians [1025d]
• Cartoon Caption Contest [1026d]