The Brutalist Report

The New Yorker

• “The Sympathizer” Has an Identity Crisis [521d]
• Daily Cartoon: Monday, April 15th [521d]
• The Food Issue, a Special Digital Edition [521d]
• Peter Attia’s Quest to Live Long and Prosper [521d]
• “Late Love,” by Joyce Carol Oates [521d]
• “Vision,” by Tracy K. Smith [521d]
• How Perfectly Can Reality Be Simulated? [521d]
• Joyce Carol Oates on Life as a Mystery [521d]
• The Fake Fake-News Problem and the Truth About Misinformation [521d]
• Stories from the Trump Bible [521d]
• Christopher Durang’s Stage Directions for Life [521d]
• Olivia Rodrigo’s Relatable Superstardom on the Guts Tour [521d]
• Culling the Kim’s Video Mother Lode [521d]
• The Mail [521d]
• The Evanescent Art of the Sandcastle [521d]
• Are Flying Cars Finally Here? [521d]
• “The Collected Poems of Delmore Schwartz,” Reviewed [521d]
• Hearing the Voices of Grenfell Tower [521d]
• The Death Valley Lake That’s Gone in a Flash [521d]
• A Bipartisan Effort to Carve out Exemptions to Texas’s Abortion Ban [521d]
• Briefly Noted [521d]
• Joyce Carol Oates Reads “Late Love” [521d]
• What Is Noise? [521d]
• “Hyacinth” [521d]
• “Annie Bot” and “Loneliness & Company,” Reviewed [521d]
• A Millionth-Anniversary Surprise [521d]
• Ana Juan’s “Clickbait” [521d]