The Brutalist Report

The New Yorker

• “Emilia Pérez” Is an Incurious Musical About a Trans Drug Lord [681d]
• Daily Cartoon: Monday, November 11th [682d]
• At COP29, the Sun Sets on U.S. Climate Leadership [682d]
• The British Artist Jadé Fadojutimi Has a Color Instinct [682d]
• Briefly Noted Book Reviews [682d]
• Eve’s Memoir, “Who’s That Girl?,” and Other Questions [682d]
• Is the Twentieth-Century Novel a Genre? [682d]
• What’s Your Parenting-Failure Style? [682d]
• Donald Trump’s Victory and the Politics of Inflation [682d]
• The New Pro-Life Playbook [682d]
• “Everything Always,” by Alex Dimitrov [682d]
• The Painful Pleasures of the New York Tattoo Convention [682d]
• A Début Novel Captures the Start of India’s Modi Era [682d]
• Letters from Our Readers [682d]
• New York’s Clock Master to City Hall: Time’s Up! [682d]
• “Vigil,” by Camille Rankine [682d]
• The Morning After the 2024 Election at the White House [682d]