The Brutalist Report - newyorker

The New Yorker

The Operatic Drama of “Maria” Misses Its Cue [297d]
Bonus Daily Cartoon: Save Us, Pedro [297d]
A Ninety-Nine-Year-Old Lawyer’s Final Case in “Frank” [297d]
Daily Cartoon: Monday, November 25th [297d]
Is Virginia Tracy the First Great American Film Critic? [297d]
Lake Tahoe’s Bear Boom [298d]
How to Make Fuel (or Booze) from Thin Air [298d]
Protest or Principle: Withholding Sex from My Wife [298d]
“The World,” by Jorie Graham [298d]
Letters from Our Readers [298d]
The Surprisingly Sunny Origins of the Frankfurt School [298d]
How Malcolm Washington Pitched Denzel Washington on “The Piano Lesson” [298d]
Why Trump’s Pick for Treasury Secretary May Be His Most Important [298d]
How Old Age Was Reborn [298d]
Forbidden Sips of the Ukrainian Dom Pérignon [298d]
Tom Toro’s “Incognito” [298d]
The Texas Ob-Gyn Exodus [298d]
A Revolution in How Robots Learn [298d]
“Homage to Willie Mays,” by Larry Levis [298d]
Briefly Noted [298d]
Tyler, the Creator’s Hype Man and D.J. Lets Fly at Camp Flog Gnaw [298d]