The Brutalist Report

The New Yorker

• The Writer Katie Kitamura on Autonomy, Interpretation, and “Audition” [16d]
• Why the Tech Giant Nvidia May Own the Future. Plus, Joshua Rothman on Taking A.I. Seriously [16d]
• Daily Cartoon: Friday, April 4th [16d]
• “Warfare” Offers a Hyperrealist Rebuke of the American War Movie [17d]
• The Play Where Everyone Keeps Fainting [17d]
• Retro Masculinity on Broadway, in “Glengarry Glen Ross” and “Good Night, and Good Luck” [17d]
• The Evolution of Dance Theatre of Harlem [17d]
• Has Trump’s Legal Strategy Backfired? [17d]
• Neige Sinno Doesn’t Believe in Writing as Therapy [17d]