The Brutalist Report - newyorker

The New Yorker

For Watchers of “The Clock,” Time Is Running Out [236d]
The Return of “My Favorite Season,” a Great Modern Melodrama [236d]
Daily Cartoon: Monday, April 28th [236d]
Military Decorations, Pete Hegseth-Style [236d]
Cinema was Claude Lelouch’s Nanny [236d]
The Impossible Contradictions of Mark Twain [236d]
Jeremy Jordan Mines “Floyd Collins” for Its Sonic Gems [236d]
“Fugue,” by Ishmael Reed [236d]
“Henry’s Ode,” by John Berryman [236d]
Letters from Our Readers [236d]
Meet the City’s New Compost Cops [236d]
Creating a New Fire Island from Scratch [236d]
A Hundred Classics to Get Me Through a Hundred Days of Trump [236d]
Ryan Coogler’s Road to “Sinners” [236d]
Briefly Noted Book Reviews [236d]
The Rise of Megan Moroney, Emo Cowgirl [236d]
A Life-Changing Scientific Study Ended by the Trump Administration [236d]
From “America First” to “Sell America” [236d]
Barry Blitt’s “The First Hundred Days” [236d]
Is the U.S. Becoming an Autocracy? [236d]
A Lawyer Freed Young Thug. Now He’s Defending Diddy [236d]
Updated U.S. Customs and Border Protection Questionnaire [236d]
When Jews Sought the Promised Land in Texas [236d]