The Brutalist Report

The New Yorker

• The Endless August Recess [12d]
• Daily Cartoon: Monday, August 25th [12d]
• How Music Criticism Lost Its Edge [12d]
• “Ichthys,” by Jay Fielden [12d]
• Briefly Noted [12d]
• The Trump Administration’s Efforts to Reshape America’s Past [12d]
• Sweating and Storytelling in a Williamsburg Sauna [12d]
• Mary Petty, the Mysterious Cover Artist Who Captured the Decline of the Rich [12d]
• The Celebrity Picture Book Boom [12d]
• How Patricia Lockwood Wrote “Will There Ever Be Another You” [12d]
• The History of The New Yorker’s Vaunted Fact-Checking Department [12d]
• Cindy Sherman’s and Rea Irvin’s Eustace Tilley [12d]
• How a Billionaire Owner Brought Turmoil and Trouble to Sotheby’s [12d]
• A.I. Is Coming for Culture [12d]
• “70,” by Patricia Smith [12d]
• Elizabeth Gilbert’s Latest Epiphanies, in “All the Way to the River” [12d]
• How Weekly Shōnen Jump Became the World’s Most Popular Manga Factory [12d]
• The A.I.-Profits Drought and the Lessons of History [12d]
• What The New Yorker Was Watching in 1925 [12d]
• Inside the Tent on “The Great British Bake Off” [12d]
• Richard Renaldi’s Portraits of New Yorker Critics [12d]
• Fred Armisen Goes Bang! Zip! Zoop! [12d]
• Zohran Mamdani Talks Love and Deuce with Some New Friends [12d]
• “We Are the World,” January 6th Style [12d]
• A24’s Empire of Auteurs [12d]
• Letters from Our Readers [12d]