The Brutalist Report

The New Yorker

• Introducing: The Wonky Week Collection [1322d]
• Daily Cartoon: Monday, September 26th [1322d]
• “A Trip to Infinity” and the Delicate Art of the Math Documentary [1322d]
• Pakistan’s Biblical Floods and the Case for Climate Reparations [1322d]
• Mile-a-Minute Plywood Painter Steve Keene Has a Retrospective [1322d]
• The Mail [1322d]
• First: Fight the Russians. Then: Wellness Bowls [1322d]
• Did a Nobel Peace Laureate Stoke a Civil War? [1322d]
• The Troublesome Legacy of the Early Romantics [1322d]
• The Not-Paparazzo That Celebrities Actually Enjoy Seeing [1322d]
• I Really Want to Know You! [1322d]
• Nicole Krauss Reads “Shelter” [1322d]
• “Thirty-seventh Year,” by Charif Shanahan [1322d]
• “Study of Two Figures (Midas / Marigold),” by Monica Youn [1322d]
• Renzo Rosso’s La-Dolce-Vita-on-Viagra Aesthetic [1322d]
• Solomun, the D.J. Who Keeps Ibiza Dancing [1322d]
• The Italy That’s Revealed by Italians on Social Media [1322d]
• How to Recover from a Happy Childhood [1322d]
• “Shelter,” by Nicole Krauss [1322d]
• Slide Show: New Yorker Cartoons October 3, 2022 [1322d]
• Nicole Krauss on Death, Birth, and Middle Age [1322d]
• Briefly Noted Book Reviews [1322d]
• John Adams Captures the Music of Shakespeare [1322d]
• The Shock and Aftershocks of “The Waste Land” [1322d]
• The Mysteries of Mondrian [1322d]
• Cartoon Caption Contest [1322d]