The Brutalist Report - newyorker
- A Dangerous Moment in the Hollywood Economy [1101d]
- As Poet Laureate, Tracy K. Smith Hit the Road [1101d]
- A Year of Dominance and Defiance at the Supreme Court [1101d]
- A Jazz Album Made to Last [1101d]
- “The Days,” by Adrienne Su [1102d]
- Ayşegül Savaş Reads “Notions of the Sacred” [1102d]
- Kari Lake Flips Out at 7-Eleven After Buying Losing Lottery Ticket [1102d]
- How “Fleishman Is in Trouble” Ditches the Clichés of the Female Midlife Crisis [1102d]
- Coffee, with a Side of Deadline Hectoring [1102d]
- An Emmy-Winning Year in New Yorker Video [1102d]
- And the Lord Said, “You’ve Got a Time-Out, Mister” [1102d]
- A Media Mogul Pivots to Paper [1102d]
- Hell on Two Wheels, Until the E-Bike’s Battery Runs Out [1102d]
- Todd Rundgren, Renaissance Rocker [1102d]
- Seventy-five Years After Indian Partition, Who Owns the Narrative? [1102d]
- “Eshu or Ambition,” by Kwame Dawes [1102d]
- Denis Johnson and Stephen Adly Guirgis’s Drinking Games [1102d]
- Can “The Last of Us” Break the Curse of Bad Video-Game Adaptations? [1102d]
- How to Apply the Seven Principles of Kwanzaa to Millennial Life [1102d]
- “Notions of the Sacred,” by Ayşegül Savaş [1102d]
- Ryo Takemasa’s “New Tracks” [1102d]
- A Hawaiian Volcano vs. the Keeling Curve [1102d]
- Trapped in the Trenches in Ukraine [1102d]
- Daily Cartoon: Monday, December 26th [1102d]
- Briefly Noted Book Reviews [1102d]
- John Ahearn and Rigoberto Torres’s Portraits of the South Bronx [1102d]
- The Mail [1102d]
- How the Artist Kehinde Wiley Went from Picturing Power to Building It [1102d]
- Slide Show: New Yorker Cartoons January 2 & 9, 2023 [1102d]
- Ayşegül Savaş on the Mystery of Pregnancy [1102d]
- Cartoon Caption Contest [1102d]
Previous Day