The Brutalist Report

The New Yorker

• Jia Tolentino on the Celebrity Obsession with Ozempic [1002d]
• Jimmy Carter’s Rock-and-Roll Legacy [1002d]
• Dear Pepper: How the Cookie Crumbles [1002d]
• Daily Cartoon: Monday, March 27th [1002d]
• How Christian Is Christian Nationalism? [1002d]
• Why the Animal Kingdom Is Full of Con Artists [1002d]
• Walking Paris’s Garbage-Strewn Streets [1002d]
• “Fat Ham” ’s “Blackerer Version” of Shakespeare [1002d]
• “Komorebi,” by Henri Cole [1002d]
• Upcoming Landmarks in Artificial Intelligence [1002d]
• “Reincarnation,” by Marie Howe [1002d]
• David Sulzer’s Wild World of Music [1002d]
• The Dirty Secrets of a Smear Campaign [1002d]
• The Data Delusion [1002d]
• Luci Gutiérrez’s “Rise and Shine” [1002d]
• Lyudmila Ulitskaya on Russia’s Women [1002d]
• The Mail [1002d]
• “Alisa,” by Lyudmila Ulitskaya [1002d]
• A Shape-Shifting Short-Story Collection Defies Categorization [1002d]
• The Wounded Bluesmen of “Hang Time” [1002d]
• Slide Show: New Yorker Cartoons April 3, 2023 [1002d]
• The Legend of the C Train [1002d]
• Briefly Noted Book Reviews. [1002d]
• How an East German Novelist Electrified Socialist Realism [1002d]
• Cartoon Caption Contest [1002d]