The Brutalist Report - newyorker
- A Musical for—and About—Grammar Sticklers [517d]
- Daily Cartoon: Monday, March 18th [517d]
- Briefly Noted Book Reviews [517d]
- Who Are Latino Americans Today? [517d]
- A Matisse By the Tool Drawer [517d]
- “Edward Hopper (Yellow and Red),” by W. S. Di Piero [517d]
- Zach Williams Reads “Neighbors” [517d]
- Kafta as a Tool for Palestinian Diplomacy [517d]
- The Affair with My Chair [517d]
- Ian Munsick Puts the Western Back in Country [517d]
- Why New York Restaurants Are Going Members-Only [517d]
- Zach Williams on Making a Story Travel [517d]
- How Quinta Brunson Hacked the Sitcom with “Abbott Elementary” [517d]
- How Candida Royalle Set Out to Reinvent Porn [517d]
- The Crime Rings Stealing Everything from Purses to Power Tools [517d]
- “3 Body Problem” Is a Rare Species of Sci-Fi Epic [517d]
- “Neighbors,” by Zach Williams [517d]
- Klaas Verplancke’s “On the Grid” [517d]
- The Bodega as Chaotic Good, the Salad Joint as Neutral Evil [517d]
- An Encyclopedia of Gardening for Colored Children [517d]
- The Mail [517d]
- “Untitled,” by Nasser Rabah (translated, from the Arabic, by Emna Zghal, Khaled al-Hilli, and Ammiel Alcalay) [517d]
- Gustav Klimt at the Neue Galerie, Reviewed [517d]
- How Julien’s Auctions Leads the Booming Market in Celebrity Memorabilia [517d]
- Judith Butler on the Global Backlash to L.G.B.T.Q. Rights [517d]
- The Forgotten History of Hitler’s Establishment Enablers [517d]
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