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The New Yorker
“Emilia Pérez” Is an Incurious Musical About a Trans Drug Lord
[251d]
Daily Cartoon: Monday, November 11th
[251d]
At COP29, the Sun Sets on U.S. Climate Leadership
[251d]
The British Artist Jadé Fadojutimi Has a Color Instinct
[251d]
Briefly Noted Book Reviews
[251d]
Eve’s Memoir, “Who’s That Girl?,” and Other Questions
[251d]
Is the Twentieth-Century Novel a Genre?
[251d]
What’s Your Parenting-Failure Style?
[251d]
Donald Trump’s Victory and the Politics of Inflation
[251d]
The New Pro-Life Playbook
[251d]
“Everything Always,” by Alex Dimitrov
[251d]
The Painful Pleasures of the New York Tattoo Convention
[251d]
A Début Novel Captures the Start of India’s Modi Era
[251d]
Letters from Our Readers
[251d]
New York’s Clock Master to City Hall: Time’s Up!
[251d]
“Vigil,” by Camille Rankine
[251d]
The Morning After the 2024 Election at the White House
[251d]
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