The Brutalist Report

The New Yorker

• Why David Boies Thinks We Should Support Trump’s Iran War [3d]
• Were the 2026 Oscars a Swan Song for Warner Bros.? [3d]
• As Movies Adapt to the Times, the Oscars Can Only Look On [3d]
• Daily Cartoon: Monday, March 16th [3d]
• The 2026 Oscars Were a Protest Against Their Own Irrelevance [3d]
• Seeking a Second Passport [3d]
• Maira Kalman’s “Amid It All” [3d]
• Lisa Kudrow Is Back—Again [3d]
• Letters from Our Readers [3d]
• Who Bankrolled the American Revolution? [3d]
• Egon Schiele: “Portrait of Dr. Erwin von Graff,” Reviewed [3d]
• How Zac Posen Went from Making Ball Gowns to Remaking the Gap [3d]
• Doctor Mike’s Internet Medicine [3d]
• Wendy Red Star Gets Her Bag [3d]
• How to Be Your Own Super [3d]
• “Then,” by Jorie Graham [3d]
• Junior LaBeija, Master of Ceremonies [3d]
• Rolling Out Our New A.I. Tools [3d]
• What’s Behind Trump’s New World Disorder? [3d]
• Briefly Noted Book Reviews [3d]
• How Doodles Became the Dog du Jour [3d]
• How Arsenio Hall Shook Up Late Night [3d]
• “The Life You Want,” Reviewed [3d]
• “Réservoir,” by Tova Gannana [3d]
• The New Yorker’s “Two People Exchanging Saliva” Wins a 2026 Oscar [3d]