The Brutalist Report

The New Yorker

• Marilyn Monroe Made Being Photographed Into an Art [35d]
• Bonus Daily Cartoon: Spirit in the Sky [35d]
• Daily Cartoon: Monday, May 4th [35d]
• Mapping Trump’s America [35d]
• Barry Blitt’s “Red, White, and Kinda Blue” [35d]
• Letters from Our Readers [35d]
• The Life and Times of an American Tween [35d]
• Is the Twenty-fifth Amendment Really an Option? [35d]
• On the High Line, Buddha Is the New Giant Pigeon [35d]
• Harriet Clark’s Début Is a New Kind of Coming-of-Age Novel [35d]
• The American Revolution Wasn’t That Big a Deal [35d]
• “1970,” by Brenda Hillman [35d]
• Senior-Discount Disneyland [35d]
• Briefly Noted Book Reviews [35d]
• The Very American, Very Intense World of High-School Debate [35d]
• Was the Declaration of Independence Better Before the Edits? [35d]
• America at 250 [35d]
• The A.I. Industry Is Booming. When Will It Actually Make Money? [35d]
• Two Hundred and Fifty Years of Complicated Commemorations [35d]
• Colbert’s Trumpet Player on Life After Late Night [35d]
• Barack Obama Considers His Role in the Age of Trump [35d]
• How Americans Caught Gold Fever Again [35d]
• In HBO’s “The Dark Wizard,” Dean Potter Climbs On [35d]
• The Idea That Reshaped Identity Politics Has a Complicated Backstory [35d]
• “While My Daughter Is in Surgery I Think About a Night in a Hotel in Florence,” by Ellen Bass [35d]
• The Artist Who Made America Look Like a Promised Land [35d]