The Brutalist Report

Variety

• Peacock’s ‘Queer as Folk’ Creator on Gun Violence Depicted in the Series: ‘I Hate That the Show Is as Relevant as It Is Right Now’ [1319d]
• Gwen Stefani Is Just a Dudamel-Loving Girl, With Cameos From John Williams and USC/UCLA Bands, at Hollywood Bowl’s Opening Night [1319d]
• Sydney Sweeney Doesn’t Think Her ‘The White Lotus’ Character Was Actually Reading Those Books [1319d]
• Jamie Dornan Drew on His Most Vulnerable Moments While Filming ‘The Tourist’ [1319d]
• Queen Elizabeth II and Paddington Bear Share Marmalade, Adam Lambert Sings ‘Don’t Stop Me Now’ at Platinum Jubilee Concert [1320d]
• ‘Severance’ Director Ben Stiller, Creator and Stars Reveal Behind-the-Scenes Secrets of Inside-Out Finale [1320d]
• Bob Neuwirth Remembered by His Friends T Bone Burnett, Steven Soles and David Mansfield [1320d]
• ‘This Is Us’ Says Goodbye: How a Drama That’s Original Pilot Script Wasn’t Written for Network Standards Changed Broadcast [1320d]
• ‘Will-o’-the-Wisp’ Review: João Pedro Rodrigues’ Hot, Hilarious Queer Firefighter Fantasia [1320d]
• ‘Top Gun: Maverick’ Has a Secret Weapon Even Its Makers Didn’t Know About: A Great and Timely Villain (Hint: It’s Russia) [1320d]
• ‘The Boys’: Karl Urban Explains Butcher’s New Powers and ‘Ridiculous’ Laser-Eyes Stare [1320d]
• Confederate Imagery Banned at CMA Festival [1320d]
• ‘The Boys’ Boss on Premiere’s Fatal Penis Accident, Landing That Marvel-ous Cameo Ahead of ‘Doctor Strange 2’ [1320d]
• Box Office: ‘Top Gun: Maverick’ Smoking Competition With Stunning Projected 33% Drop [1320d]
• ‘Falcon Lake’ Review: A Weird, Wistful Coming-of-Age Debut That Is Equally Charming and Chilling [1320d]
• ‘The Roundup’ Review: A Rip-Roaring Sequel to a South Korean Action Hit [1320d]
• Dr. Oz Wins Pennsylvania’s Republican Primary for Senate After Dave McCormick Concedes [1320d]