The Brutalist Report - variety
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- Ayo Edebiri, Lily-Rose Depp, Fala Chen, Patricia Arquette, Michelle Yeoh, Courteney Cox and More Salute Women in Film With Variety and Chanel at TIFF [45m]
- ‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory [48m]
- ‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance [1h]
- Tom Nicoll Looks Beyond Male Influencer Culture in TIFF Title ‘Salvation’: ‘I Don’t Think Anyone’s Ever Been Insulted Into Changing Their Mind’ [1h]
- Yoon Dan-bi’s Toronto and San Sebastian Film ‘The World Before’ Gives Its Camera a Soul and Its Island a Voice [1h]
- ‘Masc’ Review: A Sensitive Character Study Where Identity is Found in Imitation and Observation [1h]
- Shuhua’s Acting Debut and Breaking Free From the ‘American Girl’ Label: Director Feng-i Fiona Roan on Toronto Title ‘Happily Ever After’ [1h]
- Cannes Prize-Winning Nepal Oscar Entry ‘Elephants in the Fog’ Sells Wide for Best Friend Forever (EXCLUSIVE) [2h]
- TIFF Platform Competition Film ‘Idda’ Portrays Female Friendship, Grief and Memory Set on Sicily’s Mount Etna [2h]
- ‘Up Against It’ Review: Antonio Banderas Stars in a British Family Dramedy That Ignores Its Own Conundrums [2h]
- ‘I Play Rocky’ Premieres at TIFF: A Movie About a Best Picture Winner That’s a Best Picture Contender? [11h]
- Lucy Dacus on Doing a Hollywood Bowl Orchestra Show to End Her ‘Forever Is a Feeling’ Cycle, After Previously Bringing the Boygenius Era to a Close There: ‘Maybe It’s a Place Where I’m Supposed to Cry’ [12h]
- Paramount Leaving California Would Devastate Los Angeles Economy, Leaked Report Finds [13h]
- ‘Everybody Wants to F— Me’ Review: Giddily Genre-Crossing Comedy Sees Right Through Taron Egerton’s Nice-Guy Act [14h]
- ‘SNL U.K.’ Weekend Update Takes Aim at Trump’s New Hair — and Paddy Young Says the Punchline Was ‘Taken From Me by Our Legal Team’ [14h]
- Jeff Goldblum Performs a Jazz Number to Open ‘SNL U.K.’ Season 2: ‘Hoping You’ll Like Me More Than Nando’s or Marmite’ [15h]
- Camera-Shy Chrissie Hynde on Finally Allowing a Definitive Doc to Be Made About ‘The Pretenders,’ Bowing in Toronto: ‘I Just Wanted to Be in a Band. I’ve Never Graduated Beyond That Initial Interest in It’ [15h]
- ‘SNL U.K.’ Mocks Prince Harry and Meghan Markle’s British Return in Cold Open: ‘Don’t Tell Me You’ve Spent All Your Netflix Money Already!’ [15h]
- ‘Letters From the Silenced Country’ Wins Golden Globes Impact Prize for Documentary Presented During Venice Film Festival (EXCLUSIVE) [16h]
- Mia Wasikowska Fills Out the Screen As ‘Agata the Writer’ in Kuba Dorabialski’s Venice Drama: ‘It’s Our Responsibility to Understand Each Other’ [16h]
- ‘Oasis’ Review: A Sleek, Strange Parable about Bullying and Bonding at the Most Difficult Age [18h]
- ‘Diablo 5’ Set for Spring 2029 Release [18h]
- NFL TV Favorites Like Joe Buck, Troy Aikman, Greg Olsen, Kirk Herbstreit Could Play for New Teams Next Season [18h]
- Here’s Where to Watch Ryan Garcia vs. Conor Benn Boxing Live Online [19h]
- ‘StarCraft 3,’ an Open-World Shooter Game, Coming in 2030; First Look Revealed [19h]
- Inside ‘Ah Girl,’ the Singapore Drama Built From a Director’s Own Childhood: ‘We Can’t Fly Without First Learning How to Walk’ [19h]
- ‘Diablo’ Animated Series in the Works at Netflix, Blizzard Entertainment [19h]
- Alan Rickman Brought Kids ‘From the Hospital’ to the ‘Harry Potter’ Set, Says Co-Star Gary Oldman: ‘He Knew How Much It Meant’ [19h]
- Drake Reveals ‘Fear of Missing Out’ Teaser, Says Project Is a ‘Not So Short Film’ [19h]
- Love Has Everything to Do With It: Darlene Love, Producer Taraji P. Henson and Director Barry Avrich on ‘Darlene Love: I Know Where I’ve Been,’ a Stirring Music Doc Premiering in Toronto [19h]
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