The Brutalist Report - variety
- Zeze Takahisa’s ‘Fragments of the Last Will’ Set as Tokyo Film Festival Opener [1028d]
- Olivia Colman on Queen Elizabeth’s Legacy and Why She Didn’t Give Imelda Staunton Advice for ‘The Crown’ Season 5 [1028d]
- Investor Daniel Loeb Backs Off Disney-ESPN Sale Proposal, Citing ‘Better Understanding’ of Company’s ‘Growth and Innovation’ Plan [1029d]
- ‘Catherine Called Birdy’ Review: Lena Dunham Gleefully Liberates a 13th-Century 14-Year-Old [1029d]
- Harry Styles on Understanding the Mind of a Closeted Gay Man for ‘My Policeman’ — TIFF [1029d]
- ‘Multiverse’ Avengers Campus Ride Announced for Disneyland [1029d]
- Jennifer Lawrence Breaks Down This Season of ‘Real Housewives of Beverly Hills,’ Including ‘Evil’ Erika Jayne [1029d]
- ‘Wendell and Wild’ Places Jordan Peele and Henry Selick at the Forefront of Animated Oscar Race [1029d]
- Tilda Swinton, Gina Prince-Bythewood, Darren Aronofsky Attend Variety & Chanel’s Female Filmmakers’ Dinner [1029d]
- Revamped Capstone in Toronto With ‘Prisoner’s Daughter’ and New Slate of Pics [1029d]
- Magnolia Pictures Buys Venice Hit ‘Blue Jean’ for North America [1029d]
- Ben Kingsley Hopes His MCU Return in Wonder Man Series Is a ‘Surprise’ and ‘Refresh’ [1029d]
- Steven Spielberg: Mining Personal History for ‘The Fabelmans’ Was ‘Very, Very Hard to Get Through’ [1029d]
- Box Office Doldrums Continue as ‘Barbarian’ Debuts With $10 Million [1029d]
- Pearl Jam Takes the Apollo Stage for Powerful Pandemic-Postponed SiriusXM Underplay [1029d]
- Steven Spielberg’s ‘The Fabelmans’ Trailer Debuts Following Rapturous Toronto Film Festival Premiere [1029d]
- ‘Allelujah’ Director Richard Eyre on Grappling With Old Age on Screen: ‘I Wanted to Avoid Any Patronizing Sentimentality’ [1029d]
- Independent Entertainment, Producers Behind Harry Styles Film ‘My Policeman,’ on Company Ambitions, Future of Cinema [1029d]
- From ‘The Inspection’ to ‘Bros,’ Underrepresented Artists Are Telling Their Own Stories — But Is Hollywood Changing Fast Enough? [1029d]
- Family Animation ‘Yuku and the Himalayan Flower’ Sells Wide for New Europe (EXCLUSIVE) [1029d]
- Hosting ‘The Witcher’ S2, ‘House of the Dragon,’ Spain Film Commission’s Exponential Growth, and its Future Goals [1029d]
- James Costos, Javier Aguirresarobe on Why Commissions Count [1029d]
- ‘The Fabelmans’ Review: Steven Spielberg Takes a Sweet, Heavily Filtered Selfie of His Formative Years [1029d]
- Steven Spielberg’s ‘The Fabelmans’ Could be the Oscar Frontrunner for Best Picture [1029d]
- ‘Glass Onion: A Knives Out Mystery’ Review: As Sharp as the First One, But in a Go-Big-or-Go-Home Way, and Daniel Craig Once Again Rules [1029d]
- Steven Spielberg’s ‘The Fabelmans’ Scores Lengthy TIFF Standing Ovation, Director Insists He’s Not Retiring [1029d]
- ‘The Menu’ TIFF Premiere Draws Squirms, Squeals and Big Laughs From ‘Succession’-Meets-‘Saw’ Horror Feast [1029d]
- Mystery Solved! ‘Glass Onion’ Kills at TIFF and Should Be Netflix’s Leading Best Picture Pony [1029d]
- Emmys 2022: Inside the Parties [1029d]
- Daniel Craig and Rian Johnson Tease More ‘Knives Out’ After Twisty, Fun ‘Glass Onion’ Slays Toronto Film Festival [1029d]
- ‘Aftersun,’ ‘War Pony,’ ‘Palm Trees and Power Lines’ Win Top Prizes at Deauville Festival [1029d]
- ‘Percy Jackson and the Olympians’ Series Gets First Look at D23 Expo [1029d]
- Marsha Hunt, 1917-2022: An Appreciation of One of Hollywood’s Genuine Heroines [1029d]
Previous Day