The Brutalist Report

Variety

• 50 Cent Indicates Exit From Starz Partnership as Contract Expires [1021d]
• Variety Wins Three Eddie & Ozzie Awards for Range of Work for Jem Aswad, Website and Photography [1021d]
• San Sebastian New Directors Buzz Title ‘Woman at Sea,’ Broken Down by Director-Star Dinara Drukarova [1021d]
• 95th Academy Awards Set Glenn Weiss and Ricky Kirshner as Producers [1021d]
• Dick Ebersol Reflects on Lessons Learned ‘From Saturday Night to Sunday Night’ in New Autobiography [1021d]
• Box Office: ‘The Woman King’ Prevails With Projected $18 Million Opening Weekend [1021d]
• Oscar Predictions: Best Cinematography – Could Claudio Miranda’s Camera Work Clinch the Best Picture Nom for ‘Top Gun: Maverick’? [1021d]
• How ‘Power Book III: Raising Kanan’ Newcomers Are Shaking Up the Family Business in Season 2 [1021d]
• Penélope Cruz Wows, Tears Up at San Sebastian, Receiving Spain’s National Cinematography Prize [1021d]
• Chrissy Teigen Responds to Online Attacks After She Reveals Abortion: ‘I’ve Already Seen You Do Your Worst’ [1021d]
• Spain’s Elamedia Swoops on Locarno Prize Winner ‘Electric Dreams’ (EXCLUSIVE) [1022d]
• Ulrich Seidl Cancels Attendance at San Sebastian ‘Sparta’ Premiere [1022d]
• ‘The Damned Don’t Cry’ Review: Fyzal Boulifa’s Refined, Strikingly Queer Mother-Son Melodrama [1022d]
• Key Takeaways From Variety’s Entertainment and Technology Summit [1022d]
• ‘The Menu’ Review: Ralph Fiennes and Anya Taylor-Joy in a Restaurant Thriller That Gives Foodie Culture the Slicing and Dicing It Deserves [1022d]
• ‘The Real Love Boat’ Reveals Cheesy Opening Credits Sung By Hosts Rebecca Romijn and Jerry O’Connell (TV News Roundup) [1022d]