The Brutalist Report

Variety

• Natalie Portman and Julianne Moore Sex Scandal Drama ‘May December’ Heats Up Cannes With 6-Minute Standing Ovation [724d]
• ‘May December’ Review: Natalie Portman and Julianne Moore Play Different Angles on a Tabloid Enigma [724d]
• ‘Black Flies’ Review: Sean Penn and Tye Sheridan Are Paramedics Cruising Through the Inferno in a Drama That Thinks It’s More Real Than It Is [724d]
• How Pete Davidson Wound Up in the Summer’s Biggest Blockbusters [724d]
• Leonardo DiCaprio and Lily Gladstone Conquer Cannes With 9-Minute Standing Ovation for ‘Killers of the Flower Moon’ [724d]
• ‘Killers of the Flower Moon’ Review: Martin Scorsese’s Osage Murders Movie Is Overlong but Never Slow [724d]
• ‘Zone of Interest’ Author Martin Amis Dies at 73 [724d]
• A Clear-Cut Win for Artists or a Stifling Effect on Artistic Creation? How Copyright Law Experts View the Supreme Court’s Warhol Decision [724d]
• John Cena Says He Was ‘Short-Sighted and Selfish’ in Dwayne Johnson Feud [724d]
• Blink-182’s Reunion Tour Proves That Ageless Punk Rockers Can Make Fans Feel Like Kids Again: Concert Review [724d]
• Fantastic Pavilion Discovery ‘The Day is Long and Dark’ Reveals Trailer, First Images (EXCLUSIVE) [724d]
• With Star Wars: Visions ‘Sith,’ Spanish Studio El Guiri Looks to Break the Mold [724d]
• Peruvian Helmers Gain Global Spotlight [724d]
• Peru Aims for More Productions [724d]
• ‘Yellowjackets’: Simone Kessell on How Lottie’s Caftans Reveal Her Character’s Unraveling [724d]
• ITV Stands by Ex-‘This Morning’ Host Phillip Schofield, Promises Him New Primetime Series [724d]
• Box Office: ‘Fast X’ Racing to Projected $67 Million Debut [724d]
• ‘Banel & Adama’ Review: Love Is Challenged By Drought and Superstition in a Dreamlike Debut [724d]
• Phillip Schofield Steps Down from ‘This Morning’ [724d]
• Cate Blanchett Set a Rule for Hiring Crew After Realizing on Set ‘There Are 62 Men and I’m the Only Woman’: ‘You Must Interview a Woman’ and a ‘Person of Color’ [724d]
• France’s Culture Minister Talks About Streamers, #MeToo, Soft Quotas, $378 Million Investment in Film, TV [724d]
• AGC Studios’ Stuart Ford Honored as Variety’s Billion Dollar Producer in Cannes [724d]
• Lily Gladstone Wouldn’t Let Being Starstruck Over DiCaprio and De Niro Derail ‘Killers of the Flower Moon’: ‘Everybody Was Nervous’ [724d]
• ‘How to Have Sex’ Review: Molly Manning Walker’s Debut Makes a Hot Neon Splash Before Turning Chillingly Dark [724d]
• Tom Cruise (Sort Of) Back at Cannes: How Paramount Is Using the Festival to Promote ‘Mission: Impossible 7’ [724d]
• Film Constellation Launches Remake Rights on Spanish Thriller ‘Fatum’ (EXCLUSIVE) [724d]
• ‘Let the Earth Burn’ by ‘Animalia’s’ Sofia Alaoui, ‘The Bridge’s’ Måns Mårlind’s Joins Pape Boye’s Inaugural Black Mic Mac Roster (EXCLUSIVE) [724d]