The Brutalist Report

Variety

Dakota Johnson Says It Was ‘Absolutely Psychotic’ to Film ‘Madame Web’ With a Blue Screen: ‘I Don’t Know If This Is Going to Be Good at All’ [604d]
Tom Johnson, ‘The Daily Show’ Writer, Dies at 55 [604d]
‘Igualada’ Review: A Hagiographic Portrait of a History-Making Colombian Political Candidate [604d]
‘Malu’ Review: Superbly Acted Brazilian Drama Traces Tumultuous Mother-Daughter Relationships [604d]
After Oct. 7 Terror Attacks, Holocaust Remembrance Day Has Never Been More Important (Guest Column) [604d]
Bert Kreischer Signs Netflix Deal for Two More Stand-Up Comedy Specials (EXCLUSIVE) [604d]
’10 Lives’ Review: A Cat Comes Back in Different Forms in Kiddie-Targeted Kitty Toon [604d]
Hayden Panettiere Defends ‘Scream’ Co-Star Melissa Barrera, Calls Her Firing ‘Very Unfair and Upsetting’ [604d]
‘Skywalkers: A Love Story’ Acquired by Netflix After Sundance Premiere [604d]
Nicole Kidman, Lulu Wang Break Down ‘Expats’ Premiere, and How Blondie’s ‘Heart of Glass’ Came to Score ‘Haunting’ Dance Scene [604d]
Christopher Reeve Documentary ‘Super/Man’ Selling to Warner Bros. Discovery For Roughly $15 Million After Sundance Premiere [604d]
Box Office: ‘Mean Girls’ Threepeating on Top as January Goes Out With a Whimper [604d]
Brazilian World Sales Company O2 Play Nabs Marcelo Gomes’ ‘Portrait of a Certain Orient’ Ahead of Rotterdam Premiere (EXCLUSIVE) [605d]
Taylor Swift Explicit AI-Generated Deepfakes Are ‘Alarming and Terrible,’ Microsoft CEO Says: ‘We Have to Act’ [605d]
Vince McMahon Resigns From TKO Group Board of Directors Following Sex Abuse, Trafficking Lawsuit [605d]
Paul Simon Grammy Eve Salute From Americana Association to Include Jason Isbell, Brandy Clark, Allison Russell, Madison Cunningham, Jackson Browne and More (EXCLUSIVE) [605d]
SAG-AFTRA Slams Explicit Taylor Swift AI Images: ‘Upsetting, Harmful’ and ‘Must Be Made Illegal’ [605d]
Sundance Offers a Glimmer of Hope for the Struggling Documentary Market: ‘We’re No Longer in a DOA Situation’ [605d]