The Brutalist Report - variety
- ‘The Fall Guy’: How Emily Blunt’s Look Was Inspired by Hollywood Directors Including Greta Gerwig, Patty Jenkins and Kathryn Bigelow [502d]
- Screaming, Stunts and Playing Dead: ‘Tarot’ Star Larsen Thompson Reveals the Six On-Set Secrets Every Horror Actor Must Know [502d]
- Hannah Marks on the Long Journey To Bring John Green’s ‘Turtles All the Way Down’ To the Screen [502d]
- Why ‘We Were the Lucky Ones’ Hinged on Joey King’s Casting [502d]
- Struggling ‘Lempicka’ Ending Broadway Run [502d]
- Strong Studios Chief David Ozer Accused of Siphoning TV Show Funds [502d]
- Post Malone and Morgan Wallen Announce Release of Collaborative Single ‘I Had Some Help’ [502d]
- ‘Tarot’ Review: A Cursed Card Game Leaves No Horror Cliché Unturned [502d]
- Rosamund Pike Joins ‘Now You See Me 3’ in ‘Pivotal’ Role [502d]
- Paul Rudd and Nick Jonas to Star in Musical Comedy ‘Power Ballad’ From ‘Sing Street’ Director John Carney [502d]
- Variety’s Power of Women Honorees Call for Change at New York Event: ‘We Need Every Person to Use Their Voice’ [502d]
- Tiffany Haddish Got So Much Hate Online That She Started Investigating Her Trolls and Calling Them on the Phone: I Find Their ‘Credit Report, Police Records’ [502d]
- Look Inside Variety’s Power of Women New York 2024 Gift Bag [502d]
- Ryan Gosling Turns Down Roles That Are Too Psychologically Twisted for the Sake of Eva Mendes, Their Kids and ‘What’s Going to Be Best for All of Us’ [502d]
- ‘The Contestant’ Review: The Perils of Reality TV Laid Bare in Hulu’s Documentary [502d]
- Apple Services Revenue Rises 14% to New Record, iPhone Sales Drop Amid Weakness in China [502d]
- Janelle Monáe Joins Universal’s Untitled Pharrell Williams and Michel Gondry Musical Project [502d]
- Live Nation Reports Biggest-Ever First Quarter With $3.8 Billion, on Track for ‘Record 2024’ [502d]
- CBS CEO George Cheeks on Long-Term Paramount Plans, Morale: ‘We Have No Idea What Could Happen’ [502d]
- Elaine Epstein’s ‘Arrest the Midwife’ Nabs Top Prize at Hot Docs Forum Awards [502d]
- ‘Streets Loud With Echoes’ Director Katerina Suvorova on Challenging Kazakhstan’s Political Regime, Clip Debuts (EXCLUSIVE) [502d]
- Totem Reveals Production Slate, With Projects by Nastia Korkia, Vytautas Katkus, Ernst de Geer, Anna Roller (EXCLUSIVE) [502d]
- David Wnendt to Direct Sci-Fi Crime Film ‘Athos 2643’; Constantin, Seven Elephants on Board (EXCLUSIVE) [502d]
- S.S. Rajamouli’s ‘Baahubali: Crown of Blood’ Sets Disney+ Hotstar Debut, Unveils Trailer (EXCLUSIVE) [502d]
- TikTok and Universal Music Group Settle Royalty Dispute With New Licensing Agreement [502d]
- Emma Stone, Nathan Fielder and A24 to Produce ‘Checkmate,’ Ben Mezrich’s Chess Scandal Story [502d]
- ‘The Battle for Laikipia’ Review: How the Climate Crisis Is Reawakening Tensions in a Kenya Community [502d]
- SonyLIV Unveils Cast, First Look for Indian Independence Saga ‘Freedom at Midnight’ (EXCLUSIVE) [502d]
- ‘Ashley Madison: Sex, Lies & Scandal’ Trailer: Affairs and Online Dating Disasters Exposed in Netflix Docuseries [502d]
- Richard Tandy, ELO’s Longtime Keyboardist and the Voice of ‘Mr. Blue Sky,’ Dies at 76 [502d]
- Jennifer Tilly on Her Unknown ‘Chucky’ Future, Visiting ‘RHOBH’ and Why She Turned Down a Role in ‘Sex and the City’ [503d]
- Robert De Niro Wasn’t Shouting at Pro-Palestinian Protestors in Video, but Filming a TV Show, His Rep Explains [503d]
- ‘The Masked Singer’ Reveals Identities of the Seal and Beets: Here Are the Celebrities Under the Costumes [503d]
- Mattel’s ‘Masters of the Universe’ Moves From Netflix to Amazon for Summer 2026 Release, Travis Knight to Direct [503d]
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