The Brutalist Report - variety
- Polin’s Love Story in ‘Bridgerton’ Season 3 Part 1 Delivers Glow-Ups, Deception and Some Super Sultry Moments: TV Review [161d]
- ‘Fall’ Sequel to Be Directed by ‘Jigsaw’ Helmers the Spierig Brothers for Capstone (EXCLUSIVE) [161d]
- Judi Dench Criticizes Trigger Warnings in Theater: ‘If You’re That Sensitive, Don’t Go’ [161d]
- India Vies for Global Production Hub Status With Attractive Filming Incentives [161d]
- Quebec Production Hopes to Bounce Back With ‘Crucial’ Tax Incentives [161d]
- Rungano Nyoni on Buried Secrets, Trauma and the Problem With ‘Terrible Men’ in A24’s Cannes Premiere ‘On Becoming a Guinea Fowl’ [161d]
- Sergei Loznitsa Drops Trailer for Cannes Premiere ‘The Invasion,’ Talks Stakes of ‘War Between Russia and the Civilized World’ (EXCLUSIVE) [161d]
- Chile’s Quijote Films, Arte+ Unite for ‘The Mysterious Gaze’ (EXCLUSIVE) [161d]
- ‘Don’t Cry Butterfly,’ Hanoi-Set Horror-Comedy, Flies to Korea’s Barunson E&A for Cannes Market Launch (EXCLUSIVE) [161d]
- Why Are Movies With Big Stars Struggling to Score U.S. Distribution Deals? [161d]
- Poland Welcomes More Foreign Film Shoots, From ‘In the Lost Lands’ to ‘The Girl With the Needle’: ‘We Can Do It’ [161d]
- Retro Asian Sex Help Prescribed by Netflix’s ‘Doctor Climax’ – Trailer [161d]
- ‘William Tell,’ Starring Claes Bang, Golshifteh Farahani, Sells Across Europe for Beta Cinema (EXCLUSIVE) [161d]
- ‘Us, Our Pets and the War,’ Documentary About Animals in Ukraine, Acquired by Autlook (EXCLUSIVE) [161d]
- ‘Girl With the Pearl Earring’ Helmer Peter Webber to Direct World War II Drama About Family Behind Leica Camera Brand (EXCLUSIVE) [161d]
- ‘Civil War’ Set for Mainland China Theatrical Release [162d]
- ‘The Masked Singer’ Reveals Identity of the Clock: Here’s the Celebrity Under the Costume [162d]
- NFL 2024 Schedule: Nine Playoff Rematches, Christmas Games on Netflix and More [162d]
- ‘Ashley Madison: Sex, Lies & Scandal’ Director on How They Got Unfaithful Men to Confess on Camera [162d]
- U.S. House of Representatives Passes TICKET Act to Create Transparency in Pricing [162d]
- ‘Wild Diamond’ Review: Agathe Reidinger’s Drama About a 19-Year-Old Girl in Thrall to the False Gods of Social Media and Reality TV Announces the Arrival of a Major Filmmaker [162d]
- Industry Group for Los Angeles Theater Lovers Launches From RuCo Film and Television Exec Jay Marcus [162d]
- Destry Allyn Spielberg’s Indie Feature Debut Suffers Financing Hurdles and Still Owes Vendors [162d]
- ‘Bad Sisters’ Star Anne-Marie Duff Joins Matthew Gurney in BBC Thriller ‘Reunion’ [162d]
- YouTube Upfront: CEO Says It’s ‘Redefining’ TV, Platform Launches Ad Takeovers for Top 1% of Creators [162d]
- ‘The Girl With the Needle’ Review: Magnus von Horn’s Expressionistic Nightmare of Women Abandoned by Society [162d]
- NBC Drama ‘Hunting Party’ Adds ‘La Brea’ Alum Josh McKenzie to Cast (EXCLUSIVE) [162d]
- Nicola Coughlan Asked to Be ‘Very Naked’ in a ‘Bridgerton’ Season 3 Scene as a ‘F— You’ to Body Shamers: I Want to ‘Remember How Hot I F—ing Looked’ [162d]
- Reba McEntire Says ‘Let It Rip!’ to Hosting the ACM Awards, New Music With Dave Cobb and Her ‘Happy’s Place’ Sitcom [162d]
- Nickelodeon Star Victoria Justice Says Dan Schneider Owes Her an Apology Because ‘I Was Being Treated Unfairly’ at Times: ‘Dan Had a Very Large Ego’ [162d]
- ‘Raven’s Home’ Ending After Six Seasons as Raven-Symoné Lands Spinoff Pilot ‘Alice in the Palace’ and Overall Deal With Disney [162d]
- A Spring in Broadway’s Step: After a Grim Fall, the New York Theater Industry Finds Reasons to be Upbeat [162d]
- Cartman Goes on Ozempic in ‘South Park: The End of Obesity’ Trailer, Coming to Paramount+ in May [162d]
- How Bleecker Street Survived a Decade in the Tumultous Indie Film Business [162d]
- ‘Harry Potter’ Weasley Twins James and Oliver Phelps to Host ‘Wizards of Baking’ Competition at Food Network (EXCLUSIVE) [162d]
- British Film Institute Partners With Animation Studio Laika For Stop Motion Film Screening Series [162d]
- ‘Wild Diamond’ Director Agathe Riedinger on Her Cannes Competition Debut Tackling the Hyper-Sexualization of Women in Reality TV [162d]
- Variety Announces A Night With Artisans Programming [162d]
- Keith Urban Covers Ariana Grande’s ‘We Can’t Be Friends’: ‘Song Is Audible Heroin’ [162d]
- Natasha Lyonne Joins Marvel’s ‘The Fantastic Four’ Cast [162d]
- Charlyne Yi Alleges They Were Assaulted on Taika Waititi’s ‘Time Bandits’ Set; Paramount Says ‘Steps Were Taken to Address Concerns’ [162d]
- Kerry Washington’s ‘UnPrisoned’ Season 2 to Debut at the American Black Film Festival (EXCLUSIVE) [162d]
- ‘John Wick’ Spinoff Starring Donnie Yen With ‘Umbrella Academy’ Writer Robert Askins in the Works, Filming Set for Hong Kong in 2025 [162d]
- In ‘The Brink of Dreams,’ Ayman El Amir and Nada Riyadh Celebrate ‘Daring’ All-Female Theater Troupe, Reveal New Projects (EXCLUSIVE) [162d]
- Richard Avedon, Revisited: A New Photo Exhibition Captures the Darkness and Light of Hollywood’s Elite [162d]
- Will Ferrell to Star in Netflix Comedy Series ‘Golf,’ Ramy Youssef Attached as Co-Creator [162d]
- ‘Dune: Prophecy’ Trailer Reveals Fall Premiere, Epic First Footage of Bene Gesserit Origin Story [162d]
- ‘Harry Potter’ Competition Series ‘Wizards of Baking’ Ordered at Food Network, Will Feature Original Film Sets [162d]
- ‘The Chronicles of Libidoists,’ ‘A Foggy Tale’ Among Golden Horse Goes to Cannes Showcase [162d]
- Meryl Streep Says That ‘Out of Africa’ Shampoo Moment With Robert Redford Is a ‘Sex Scene in a Way’: We’ve Seen ‘People F—ing, but We Don’t See That Loving Touch’ [162d]
- ‘Orca – Black & White Gold’: Terra Mater Studios Brings Killer Whale Doc to Cannes (EXCLUSIVE) [162d]
- Spotify Hit With Copyright-Violation Claims by National Music Publishers Association [162d]
- Netflix Scores Two NFL Christmas Day 2024 Games Under Three-Year Deal With League [162d]
- Netflix’s ‘Terminator Zero’ Anime Reveals August Release Date and First Look Photos [162d]
- Tame Impala Frontman Kevin Parker Sells Entire Song Catalog, Including Work With Dua Lipa, Rihanna and Others, to Sony Music Publishing [162d]
- ‘IF’ Review: John Krasinski’s Ryan Reynolds-Starring Children’s Tale Has a Classical Look, but Messy World-Building [162d]
- ‘Mad Max’ Director Considered De-Aging Charlize Theron for ‘Furiosa,’ but the Technology Was ‘Never Persuasive’: ‘We Had to Find Someone Younger’ [162d]
- Streaming Puts Commercials in Movies, Top Series Where Ads Were Once Forbidden [162d]
- India, Papua New Guinea Co-Production ‘Papa Buka’ Sets July Shoot – Global Bulletin [162d]
- Roberto Minervini on Making His Naturalistic U.S. Civil War Drama ‘The Damned’ While the ‘Rust’ Shooting Tragedy Broke – Trailer [162d]
- Lou Ferrigno Plays Cannibalistic Pig Farmer in Horror ‘The Hermit,’ With Scatena & Rosner Selling in Cannes – First Look (EXCLUSIVE) [162d]
- Spanish Titles to Track at Cannes, Including New Films by Alejandro Amenábar, Alberto Rodriguez and Isaki Lacuesta [162d]
- Smart Thrillers, Big Auteur Plays, Genre Fuel Sales Momentum [162d]
- Spanish Cinema’s Diversity Boost Exports, Streamer Success [162d]
- CoPro Israel Sets Industry Events, Documentary Slate Including Films About Sigmund Freud, Noga Erez and Oct. 7 (EXCLUSIVE) [162d]
- ‘Furiosa’ Star Alyla Browne on Getting the Role of Young Anya-Taylor Joy by Doing the Splits and Seeing the R-Rated Film Despite Being 14: ‘I’m in It, So I’m Allowed!’ [162d]
- Bull Running Drama ‘Animale,’ Cannes Critics’ Week Closing Night Film, Unveils First Clip (EXCLUSIVE) [162d]
- Léa Seydoux on France’s #MeToo Movement: ‘Things Are Clearly Changing, and It Was High Time It Did’ [162d]
- U.K. Distributor Other Parties Launches Production Arm Led by Former Amazon Studios’ Exec Emily Guarino (EXCLUSIVE) [162d]
- Malcolm McDowell, Jacob Ward to Lead Vietnam Draft Drama ‘Summerhouse,’ Magenta Light Studios Launching Sales at Cannes (EXCLUSIVE) [162d]
- Sundance Winner ‘Gaucho Gaucho’ Sells Across Europe for Charades (EXCLUSIVE) [162d]
- Pietro Marcello Shooting ‘Duse’ With Valeria Bruni Tedeschi and Noémie Merlant, the Match Factory Handling Sales (EXCLUSIVE) [162d]
- ‘The Captive,’ From ‘The Others’ Director Alejandro Amenábar, Initiates Principal Photography, Drops First-Look Still (EXCLUSIVE) [162d]
- ‘The Desperate Chase’ Racks Up Pre-Sales Ahead of Cannes Market Launch by Korea’s Finecut [162d]
- Thai Action Film ‘The 24’ Launched by New Sales Firm Boz Pictures at Cannes Market (EXCLUSIVE) [162d]
- EST N8 Adds Fantasia-Bound Korean Action Film ‘Mash Ville’ to Cannes Market Slate (EXCLUSIVE) [162d]
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