The Brutalist Report - variety
- ‘Everybody Loves Touda’ Review: Nabil Ayouch’s Feminist Musical Drama Only Really Sings When Its Leading Lady Does [158d]
- Somali Filmmaker Mo Harawe Makes History in Cannes With Intimate Family Drama ‘The Village Next to Paradise’ [158d]
- Frank Grillo Creature Action Thriller ‘Werewolves’ Acquired by Signature for U.K. (EXCLUSIVE) [158d]
- Gullane Unveils Cao Hamburger, Sandra Kogut Films (EXCLUSIVE) [158d]
- Oliver Stone on New Cannes Documentary ‘Lula,’ Donald Trump’s Trials and Money in Politics: ‘Corruption Is a Way of Life’ [158d]
- Latido Takes David Pérez Sañudo’s ‘Sacamantecas’ (EXCLUSIVE) [158d]
- TrustNordisk Boards Marjana Jankovic’s ‘Home’ (EXCLUSIVE) [158d]
- ’Ernest Cole: Lost and Found’ Director Raoul Peck: ‘There Is a Fight to Be Had About the State of the World’ [158d]
- In ‘Blue Sun Palace,’ U.S.-Made Critics Week Charmer, Constance Tsang Reframes the Chinese Immigrant Tale With Empathy – and a Stellar Cast [158d]
- Parallax Studio, Saga Film Studios Form Joint Venture to Distribute Films in the Philippines Starting With Kevin Costner’s ‘Horizon’ (EXCLUSIVE) [158d]
- Dead & Company at Sphere, Night 2: What Was the Same, What Was Different [158d]
- ‘It’s Not Me’ Review: Leos Carax Dreams of Godard in an Imperfect Homage and Self-Reflection [158d]
- Jeremy Renner Recalls Falling Asleep While Filming ‘Mayor of Kingstown’ After Accident: ‘They Worked Me Too Hard, Too Many Hours, Too Many Days in a Row’ [158d]
- Alice Stewart, CNN Political Commentator, Dies at 58 [158d]
- ‘Queens of Drama’ Director Alexis Langlois Brings New Pop to Queer Stories [159d]
- Cate Blanchett Blows Kisses as Apocalyptic Comedy ‘Rumours’ Gets 4-Minute Standing Ovation at Cannes Film Festival [159d]
- Justin Timberlake Delivers Peak Performance at Hits-Filled L.A. Forum Show: Concert Review [159d]
- Emmys: Lead Actress (Comedy) — Will Jean Smart Take Home Her Sixth Career Statuette for ‘Hacks?’ [159d]
- Noemie Merlant’s Punk Fable ‘The Balconettes’ Shatters MeToo Taboos With Blood and Guts [159d]
- Selena Gomez Weeps as ‘Emilia Pérez’ Earns Biggest Cannes Standing Ovation So Far at 9 Minutes [159d]
- Neon Buys North American Rights to Mohammad Rasoulof’s ‘The Seed of the Sacred Fig’ [159d]
- Ukrainian Smash ‘Mavka’ Live-Action Film in the Works: ‘Animated Feature Was Just the Start’ (EXCLUSIVE) [159d]
- Casey Wilson and Adam Pally to Launch ‘Happy Endings’ Recap Podcast [159d]
- ‘We Will Push Acting to Levels Not Seen in a While,’ Says Ruben Östlund About Next Movie, as New Joachim Trier, Tarek Saleh Pics Are Unveiled in Cannes [159d]
- In Jonás Trueba’s Cannes Pic ‘The Other Way Around,’ It’s Time for a ‘Separation Party’ and Everyone’s Invited: ‘It’s Another Kind of Love Story’ [159d]
- São Paulo Launches Third Cash Rebate Edition [159d]
- ‘Emilia Pérez’ Review: Leading Lady Karla Sofía Gascón Electrifies in Jacques Audiard’s Mexican Redemption Musical [159d]
- ‘The Surfer’ Review: Nicolas Cage Goes Full Cage in a Trippy Slapdash Comic Nightmare [159d]
- Roger Corman Reboot ‘Deathstalker,’ Exec Produced by Guns N’ Roses’ Slash, Unveils First Look, Raven Banner Launches Sales at Cannes (EXCLUSIVE) [159d]
- Janet Montgomery to Play Young Faye Dunaway in Jonathan Baker’s ‘Fate’ [159d]
- Box Office: ‘IF’ Stumbles on Opening Day With $10.3 Million, ‘The Strangers: Chapter 1’ Unmasking Third Place [159d]
- ‘Caught by the Tides’ Review: Jia Zhangke Weaves a Shimmering New Tapestry from Threads of His Previous Films [159d]
- Cannes Bomb Scare: La Croisette Shut Down in Front of Palais [159d]
- Yorgos Lanthimos to Reunite With Emma Stone, Jesse Plemons for Alien Conspiracy Drama ‘Bugonia’ at Focus Features [159d]
- NBCUniversal Studio Chief Donna Langley on ‘Fast and Furious,’ ‘Wicked’ and the Future of Movies [159d]
- Martin Moszkowicz Honored With Carl Laemmle Producer Award [159d]
- Director Lorcan Finnegan Talks ‘The Surfer’: ‘You Can’t Surf If You Don’t Suffer’ [159d]
- Paul Schrader to Shoot Noir Film About ‘Sexual Obsession,’ Titled ‘Non Compos Mentis,’ This Fall [159d]
- Paul Schrader Says He Wrote ‘Peace and Love’ on Jacob Elordi’s Jockstrap Himself for ‘Oh, Canada’: ‘I Took That Burden Off’ Wardrobe Department’s ‘Shoulders’ [159d]
- Exploring Gender Issues, Indigenous Peoples, Climate Change, Teen Suicide, Chilean Docs at Cannes Doc Plumb Universal Themes [159d]
- Emma Stone Talks Physical Demands of a Yorgos Lanthimos Movie (Like Dancing, Death and Doing It) [159d]
- Swiss Fest Solothurn to Make Big Splash at Goes to Cannes with Curated Slate including Latest Nicolas Steiner Jacqueline Zünd [159d]
- ‘Winnie-the-Pooh: Blood and Honey’ Makers Unveil ‘Peter Pan’s Neverland Nightmare’ First Look (EXCLUSIVE) [159d]
- ‘Universal Language’ Review: Matthew Rankin Channels the Best of Iranian Cinema in Absurdist Canadian Comedy [159d]
- Brazilian Producer Maria Farinha Films Takes Minority Stake in ‘The White Helmets’ Production Company Violet Films (EXCLUSIVE) [159d]
- Adria Arjona, Edgar Ramirez to Co-Star in Jayro Bustamante’s Dystopian Thriller ‘El Sombreron’ [159d]
- ‘Goodbye Julia,’ ‘Four Daughters’ Stand Out at Critics Awards for Arab Films Handed Out in Cannes [159d]
- Cannes Classics Title ‘The Churning’: Inside the Restoration of 1976 Indian Masterpiece [159d]
- How India-Set Nepal-Shot ‘The Shameless’ Transitioned From Documentary to Adult Animation to Cannes Un Certain Regard Fiction Feature [159d]
- Johnny Depp’s ‘Modì’ Gets Italian Distribution Via Be Water and Maestro Distribution (EXCLUSIVE) [159d]
- ‘Lamb’ Scribe Sjón Boards Gothic Drama ‘The Wolf Will Tear Your Immaculate Hands’ From ‘Clara Sola’’s Nathalie Álvarez Mesén ‘(EXCLUSIVE) [159d]
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