The Brutalist Report

Variety

• Richard Dreyfuss Sparks Outrage, Massachusetts Theater Apologizes For His ‘Offensive and Distressing’ Remarks at ‘Jaws’ Screening [475d]
• Bill Walton, NBA Star, ESPN Commentator and Grateful Dead Superfan, Dies at 71 [475d]
• Jennifer Lopez Says AI Has Been ‘Really Scary’: Ads Are ‘Selling Skincare I Know Nothing About’ Using My Face Covered in ‘Wrinkles’ [475d]
• ‘Sister Midnight’ Review: Surreal Indian Comedy Swerves Into Genre Excess [475d]
• ‘Desert of Namibia’ Review: A Meandering Chronicle of a Listless Japanese Zoomer [475d]
• Emmy FYC Events Experience Packed Houses as Stars and Writers Return, a Year After the Hollywood Strikes [475d]
• ‘Norah’ Review: A Striking Debut About Artistic Repression in ’90s Saudi Arabia [475d]
• Box Office: ‘Furiosa’ Just Barely Beats ‘The Garfield Movie’ in Disastrous Memorial Day Weekend — the Worst in Decades [475d]
• ‘Lula’ Review: An Incomplete Portrait of Brazil’s Fiery Left-Wing President [475d]
• ‘Misericordia’ Review: Alain Guiraudie’s Darkly Comic Backwoods Fable of Pansexual Desire and Small-Town Sociopathy [475d]
• Billie Eilish’s ‘Hit Me Hard and Soft’ Opens at No. 2 as Taylor Swift Continues to Top Albums Chart [475d]
• Iran’s ‘In the Shadow of the Cypress’ and Guatemalan Pablo León’s ‘Remember Us’ Win Top Prizes at Spain’s Animayo Gran Canaria Fest [475d]
• Ananya Panday Stars in Riches to Rags Drama Series ‘Call Me Bae’ at Prime Video India (EXCLUSIVE) [475d]
• Taipei Film Festival Sets Competition Selection, Wang Xiaoshuai as Jury Head – Global Bulletin [475d]
• ‘The Good Wife’ Gets Arabic Adaptation on MBC’s Shahid Streamer With Star Hend Sabri in Lead Role [475d]
• ‘Being Maria’ Review: A Poignant Dive Into the Turbulent Life of Actor Maria Schneider [475d]
• China Box Office: ‘The Last Frenzy’ Keeps Theatrical Lead as Momentum Slows Further [476d]
• ‘The Jinx: Part Two’ Showed the Impossible Task of Topping a True Crime Classic [476d]
• ‘The Sympathizer’ Cast Breaks Down the Mysterious Meaning of ‘Nothing’ in the Finale [476d]
• How ‘Interview With the Vampire’ Used Sacreligious Statues, Projection Animation to Create the Théâtre des Vampires [476d]
• Korea Box Office: ‘Furiosa: A Mad Max Saga’ Wins Its Debut Weekend [476d]
• ‘Barbie’ and ‘Oppenheimer’ Would’ve Been ‘Just as Big’ on Netflix, Says Ted Sarandos: ‘There’s No Reason to Believe That the Movie Itself Is Better in Any Size of Screen’ [476d]