The Brutalist Report

Variety

• Scott Huver’s ‘Beverly Hills Noir’ Book Takes a Deep Dive Into the 90210’s Early Days of Crime [587d]
• ‘Apprentice’ Star Jeremy Strong Says Donald Trump Film Is a ‘Frankenstein Movie’: ‘It’s About the Creation of a Monster by Another Monster’ [587d]
• ‘The Serpent Queen’ Canceled After Season 2, Queen Elizabeth Spinoff in the Works at Starz [587d]
• Best Horror Movies: ‘Smile 2’ Director Parker Finn on Why Stanley Kubrick’s ‘The Shining’ Is His Favorite Horror Film of All Time [587d]
• Ji.hlava Documentary Film Festival Presents 129 World Premieres, 23 International Premieres and 11 European Premieres [587d]
• Best Horror Movies: Betty Gabriel on How Kenneth Branagh and Robert De Niro Created a Horror Classic With ‘Mary Shelley’s Frankenstein’ [587d]
• Box Office: ‘Joker: Folie à Deux’ Braces for Brutal 65% Drop, ‘Terrifier 3’ Aims for Solid $10 Million Debut [587d]
• Best Horror Movies: ‘Haunting of Hill House’ Star Kate Siegel on How Nicole Kidman’s ‘Intensely Vulnerable’ Performance Makes ‘The Others’ a Horror Classic [587d]
• Best Horror Movies: Mike Flanagan on Why the ‘Criminally Underseen’ Found Footage Horror Film ‘Lake Mungo’ Leaves Him ‘Utterly Shattered’ [587d]
• Steve McQueen Invokes John Lennon as WWII Drama ‘Blitz’ World Premieres in London: ‘Right Now, All I Can Think of’ Is ‘Imagine’ [587d]
• Best Horror Movies: Robert Englund on Why Brian De Palma’s Horror Thriller ‘Sisters’ Has the ‘Best Split-Screen in the History of Cinema’ [587d]
• Best Horror Movies: ‘Nightmare on Elm Street’ Star Heather Langenkamp on Why Dorothy in ‘The Wizard of Oz’ Is the ‘Best Final Girl of All Time’ [587d]
• Best Horror Movies: ‘M3GAN’ Writer Akela Cooper on How Seeing Stan Winston’s ‘Pumpkinhead’ Became a ‘Crucial Core Memory’ [587d]