The Brutalist Report

Variety

• ‘Two Seasons, Two Strangers’ Review: A Screenwriter Pursues Her Own Story In a Beguiling Japanese Diptych [23d]
• Kumail Nanjiani Signed on for Six Marvel Movies Before ‘Eternals’: I Thought It Was ‘My Job for the Next 10 Years’ but ‘None of That Happened’ [23d]
• How Benjamin and Jodie Caron Went from Playing Business in Their Childhood Home to Launching Square Eyed Pictures [23d]
• Summer Box Office Won’t Reach $4 Billion Milestone After All [23d]
• ‘Caught Stealing’ Review: Austin Butler Plays a Relatable Loser in Darren Aronofsky’s High-Energy New York Hustle [24d]
• Jerry Adler, Hesh Rabkin on ‘The Sopranos,’ Dies at 96 [24d]
• Box Office: ‘Weapons’ Crossing $200 Million, ‘Materialists’ Hits $85 Million Globally [24d]
• Box Office: Netflix’s ‘Kpop Demon Hunters’ Leads With Estimated $18 Million Debut, ‘Weapons’ Stays Strong With $15.6 Million [24d]
• Spain’s Sideral to Produce and Distribute Juan Diego Botto Femicide Drama ‘Los Relatos’ (EXCLUSIVE) [24d]
• Netflix Broke Its Rules to Share ‘KPop Demon Hunters’ on the Big Screen … But Don’t Expect the Streamer to Make a Habit of It (Column) [24d]
• ‘The Studio,’ ‘1923,’ and ‘The Penguin’ Take Top Honors at Location Managers Guild International Awards [24d]