The Brutalist Report - variety
- Disney Unveils Latest Nike Collab, With Co-Branded Pieces for the Golf Course, Theme Park and Beyond [20d]
- Warner Bros. Discovery Eyes Renewed Discussions With Paramount Skydance After Latest Bid [20d]
- Spirit Awards Winners List (Updating Live) [20d]
- ‘Sinners’ Star Wunmi Mosaku Has ‘Not Been Able to Celebrate’ Her Oscar Nomination Because of the ‘Killings of Renée Good and Alex Pretti by ICE’: How Could I ‘Enjoy the Moment?’ [20d]
- ‘Dust’ Review: A Stylish Saga of Friendship and Fraud That Slowly Plateaus [20d]
- J. Cole Debuts at No. 1 With Best First Week for an R&B/Hip-Hop Album in Nearly a Year; Bad Bunny Hits a New Sales Peak After Super Bowl [20d]
- Producer David Kaplan Talks Risking It All on ‘Josephine’ and Developing ‘It Follows’ Sequel: ‘It Takes a Village of People Who Believe’ [20d]
- ‘Pulp Fiction’ Writer Says It Was ‘Impossible’ to Get His Movies Made Until He Started an AI Production Company: ‘Just Put AI in Front of It and All of a Sudden You’re in Production on Three Features’ [20d]
- The Epstein Files Have Become The Ultimate Disturbing Horror Movie. No Wonder We Can’t Look Away [20d]
- How to Watch NBA All-Star Game 2026 Live Online Without Cable for Free [20d]
- ‘Josephine’ Producer David Kaplan Sets Gabriel Nussbaum’s ‘Triumph of the Will’ With ‘Unorthodox’ Star Shira Haas (EXCLUSIVE) [20d]
- Why the Sidelining of Politics in Berlin Is Causing a Stir: ‘If an Artist Is Afraid to Speak Up’ About ‘Fascism, They Shouldn’t Be Coming’ [20d]
- ‘Wuthering Heights’ Dominates Global Box Office With $82 Million, ‘GOAT’ Scores $47.6 Million Worldwide [20d]
- Chile’s ‘The House of the Spirits,’ ‘Raza Brava’ and ’Hidden Island’ Lead TV Series Contingent at Berlinale [20d]
- ‘Rose’ Review: Sandra Hüller Amazes, Again, in Markus Schleinzer’s Immaculately Controlled Tale of Gender Privilege [20d]
- Locarno Pro to Spotlight Uruguay in First Look WIP Initiative [20d]
- ‘Dark Winds’ Goes Hollywood: How Season 4 Pays Tribute to Robert Redford and Rekindles Hope for Joe and Emma as It Travels to L.A. [20d]
- Tom Morello on Co-Directing ‘The Ballad of Judas Priest’: ‘What a Time to Be Alive Where You Can Both Make a Documentary About Your Favorite Band and Fight Fascism’ [20d]
- Box Office: ‘Wuthering Heights’ Leads With $40 Million Over Holiday Weekend, ‘Crime 101’ Stumbles With $17.7 Million Against $90 Million Budget [20d]
- ‘Salvation’ Review: The Roots of Violence Are Explored in Emin Alper’s Tense, Atmosphere Study of a Massacre [20d]
- Projeto Paradiso to Host National Talent Network Meeting in Burgeoning Brazilian Film Capital of Recife, Celebrates Strong Berlin Presence (EXCLUSIVE) [20d]
- Emin Alper on Berlin Drama ‘Salvation,’ Which References the Dynamics of Contemporary ‘Mass Murders, Massacres, Genocides and Wars’ [20d]
- ‘The Idiot(s),’ Starring Aimee Lou Wood, Johnny Flynn, Releases First Look Image [20d]
- Johnny Knoxville, Jason Flemyng Toplining Thrillers From Vienna-Based Pont Pictures (EXCLUSIVE) [20d]
- Historic Sites, Iconic Cities, Diverse Landscapes, Top Facilities Continue to Make Austria a Hot Location Destination Despite Funding Cuts [20d]
- Gael Garcia Bernal, Diego Luna, Alice Diop and More Set for Doha Film Institute Qumra Masters Lineup [20d]
- Berlin Selection ‘Light Pillar’ Unveils New Clip (EXCLUSIVE) [20d]
- Taiwan Prison Drama ‘Sunshine Women’s Choir’ Becomes Highest-Grossing Local Film Ever [20d]
- German Animation Showcase at EFM Pitch Sessions Celebrates Kids Fare, Teases Bovine-Pantherine Love, New Struwwelpeter, Life as a Kalashnikov [20d]
- Madrid Launches Berlin Networking Event, Aims to Strengthen International Positioning as Production Hub [20d]
- Director Hanna Bergholm and Star Seidi Haarla Talk Berlinale Shocker ‘Nightborn’: ‘We Were Dead Serious While Making It’ [20d]
- Welcoming a New Life: ‘Papaya’ Debuts Trailer as Director Priscilla Kellen Talks Crafting Non-Dialogue Hope-Filled Narratives (EXCLUSIVE) [20d]
- Emma Laird on Going From ‘The Brutalist’ to ‘The Bone Temple’ and Picking Bold, Bonkers Roles: ‘I Don’t Want to Do Shakespeare, I Want to Play a Fish’ [20d]
- Berlinale Issues Statement Following Political Backlash at Festival, Says Artists Should Not Be ‘Expected to Speak on Every Political Issue’ [21d]
- ‘Shanghai Daughter’ Director Agnis Shen Zhongmin on Blurring Fiction and Documentary in Berlin Panorama Debut [21d]
- ‘Rocky the Troll,’ Produced by Team Behind Netflix Hit ‘Troll,’ Travels to Several Territories (EXCLUSIVE) [21d]
- Jackie Chan’s ‘Unexpected Family,’ Anthony Chen Competition Entry Lead Chinese Presence at Berlinale, EFM [21d]
- ‘Crouching Tiger’ Producer Bill Kong Brings Four Titles to Berlin’s EFM as ‘Panda’ Enters Forum [21d]
- ‘Sinners,’ ‘Frankenstein’ and ‘One Battle After Another’ Lead Make-Up Artists and Hair Stylists Awards Winners [21d]
- Horror Thriller ‘Hellcat’ Sells to Shudder for North America (EXCLUSIVE) [21d]
- Turkish Cinema’s Milestone Berlin Presence Bodes Well for Global Breakthrough Going Forward [21d]
- Mahamat-Saleh Haroun on Berlin Golden Bear Contender ‘Soumsoum’ and Why It’s His ‘Duty’ to Bring His Native Chad to the Big Screen [21d]
- Paramount Sends ByteDance Cease-and-Desist Letter Over Seedance AI Videos, Alleging Intellectual Property Infringement [21d]
- ‘Filipinana’ Director Rafael Manuel on ‘White Lotus’ Comparisons, Jia Zhangke’s Influence and Making Violence Relatable [21d]
- French Romantic Comedy ‘The Doll’ About a Life-Sized Doll Coming to Life Sells to Major Markets [21d]
- Poll Surprise: Bad Bunny Comes Out Ahead of Trump When U.S. Adults Are Asked, ‘Who Better Represents America?’ [21d]
- Providence Equity ‘Fully Committed’ to Supporting Wasserman Agency Amid Sale Transition [21d]
- Mexico’s Cinemex Nabs ‘Abracadaver’ (EXCLUSIVE) [21d]
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