The Brutalist Report - variety
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- Seth Green Says He Was Never Invited Back for the Canceled ‘Buffy the Vampire Slayer’ Reboot [40d]
- Israel’s Minister of Culture Threatens to Revoke Israeli Citizenships of ‘NAZA’ Filmmakers [40d]
- Dead Boys Guitarist Cheetah Chrome Dies at 71 [40d]
- Sara Bareilles on ‘Good Grief’ and Finding Joy in the Tough Stuff: ‘Grief Is the Mothership of This Record, but It Carries Release, Hope, Optimism and Connection’ [40d]
- International Oscar Submissions: Nepal, Singapore, Israel, Romania, South Korea, Chile and More Join the List [40d]
- Ella Langley’s ‘Dandelion’ Album Returns to No. 1 Spot on Billboard 200 for First Time in Four Months, So ‘Choosin’ Texas’ Won’t Get Lonely at the Top [40d]
- ‘One Battle After Another,’ ‘Frankenstein’ and ‘Avatar: Fire And Ash’ Among the Winners at MacGuffin Awards [40d]
- John Stamos Delivers Emotional Speech About Fatherhood at Creative Coalition Awards [40d]
- Courteney Cox Remembers ‘Scream’ Co-Star Hayden Panettiere: ‘She’s a Really Wonderful Actor’ [40d]
- ‘Diary of a Mad Old Man’ Review: Wayne Wang and Fan Bingbing Unintentionally Find the Boredom in Sex and Death [40d]
- Christian Bale Opens 11,000-Square-Foot Foster Care Facility in Palmdale: ‘Turn Their Heartbreak and Their Pain into Love’ [40d]
- ‘Crystal Lake’ Trailer: Linda Cardellini Stars in Peacock’s Spooky ‘Friday the 13th’ Prequel Series [40d]
- Chris Rock Says Scott Rudin’s ‘Hard Coaching’ Made Him a Better Filmmaker: Some Creatives Don’t ‘Respond to a Hug’ [40d]
- Emmys Presenters: Matthew McConaughey, Shailene Woodley and ‘Baywatch’ Reboot Stars Join Lineup [40d]
- Seth Rogen Tells TIFF the Best Advice He’s Ever Received: ‘Less Semen, More Emotion!’ [40d]
- Teary-Eyed Kaley Cuoco Recalls Death of Her ‘8 Simple Rules’ TV Dad John Ritter: ‘One of the Worst Days of My Life’ [40d]
- Ayo Edebiri, Lily-Rose Depp, Fala Chen, Patricia Arquette, Michelle Yeoh, Courteney Cox and More Salute Women in Film With Variety and Chanel at TIFF [40d]
- ‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory [40d]
- ‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance [40d]
- Tom Nicoll Looks Beyond Male Influencer Culture in TIFF Title ‘Salvation’: ‘I Don’t Think Anyone’s Ever Been Insulted Into Changing Their Mind’ [40d]
- Yoon Dan-bi’s Toronto and San Sebastian Film ‘The World Before’ Gives Its Camera a Soul and Its Island a Voice [40d]
- ‘Masc’ Review: A Sensitive Character Study Where Identity is Found in Imitation and Observation [40d]
- Shuhua’s Acting Debut and Breaking Free From the ‘American Girl’ Label: Director Feng-i Fiona Roan on Toronto Title ‘Happily Ever After’ [40d]
- Cannes Prize-Winning Nepal Oscar Entry ‘Elephants in the Fog’ Sells Wide for Best Friend Forever (EXCLUSIVE) [40d]
- TIFF Platform Competition Film ‘Idda’ Portrays Female Friendship, Grief and Memory Set on Sicily’s Mount Etna [40d]
- ‘Up Against It’ Review: Antonio Banderas Stars in a British Family Dramedy That Ignores Its Own Conundrums [40d]
- ‘I Play Rocky’ Premieres at TIFF: A Movie About a Best Picture Winner That’s a Best Picture Contender? [41d]
- Lucy Dacus on Doing a Hollywood Bowl Orchestra Show to End Her ‘Forever Is a Feeling’ Cycle, After Previously Bringing the Boygenius Era to a Close There: ‘Maybe It’s a Place Where I’m Supposed to Cry’ [41d]
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