The Brutalist Report - variety
- David Harbour Has Known How ‘Stranger Things’ Ends for Years: ‘It’s Quite Moving’ [1336d]
- Abortion Activists Depicted in ‘The Janes’ Sound Alarm About Possible Roe v. Wade Overturn: ‘It’s Going to Be Horrible’ [1336d]
- Nashville-Adjacent $40 Million Amphitheater Planned for 2023; Mercy Lounge and Other Preeminent Clubs Close [1336d]
- The 8 Hottest New Shows Announced During Upfronts 2022 [1336d]
- ‘Three Thousand Years of Longing’ Review: George Miller’s Wishy-Washy Fantasy Has Serious Story Problems [1336d]
- ‘Brother and Sister’ Review: Marion Cotillard Has a Severe Case of Sibling Rivalry in an Overwrought Melodrama [1336d]
- Lupita Nyong’o Exits ‘Lady in the Lake’ Series at Apple (EXCLUSIVE) [1336d]
- ‘High School Musical: The Musical: The Series’ Renewed for Season 4, Sets Season 3 Premiere Date [1336d]
- Riley Keough on Carving Her Own Path in Hollywood and Her Directorial Debut ‘War Pony’ Premiering in Cannes [1336d]
- Variety and EMP, Galaxy Digital and Op3n Partner on NFTCannes Luncheon at the Hotel du Cap [1336d]
- ‘Rust’ Fallout: Unions and Studios at Odds Over Firearm Rules [1336d]
- Jake Tapper’s CNN Interview With Trevor Reed Could Spark New Awareness of U.S. Citizens Imprisoned Overseas [1336d]
- Doja Cat Pulls Out of the Weeknd’s Stadium Tour, Festival Concerts [1336d]
- Media Stocks Mixed as Markets Tumble Toward Bear Territory [1336d]
- Pete Davidson’s Best ‘SNL’ Sketches: Watch ‘Chad,’ ‘Rap Roundtable’ and More [1336d]
- Pete Davidson Expected to Exit ‘Saturday Night Live’ (EXCLUSIVE) [1336d]
- ‘Glee’ Sets Return to Streaming on Hulu and Disney+ [1336d]
- ‘Three Thousand Years of Longing’ Could Be 2022’s First Oscar Best Picture Contender [1336d]
- George Miller’s Visual Feast ‘Three Thousand Years of Longing’ Earns Six-Minute Standing Ovation in Cannes [1336d]
- ‘Goya, Carriere and the Ghost of Bunuel,’ Broken Down by Director Jose Luis Lopez Linares (EXCLUSIVE) [1336d]
- Todd Rundgren Surprised to Find Himself Becoming Hollywood’s Needle-Drop Du Jour, From ‘And Just Like That…’ to ‘Ozark’ [1336d]
- ArcLight Films, MEP Capital Management Buys Library of The Lotus Entertainment (EXCLUSIVE) [1336d]
- Blue Fox Entertainment Buys ‘Unexpected,’ Comedy With Anna Camp, Joseph Mazzello, Neil Flynn and Ryann Shane (EXCLUSIVE) [1336d]
- Madonna Talks New ‘Frozen’ Remix, DM-ing Producers, Afrobeats and Making ‘Ray of Light’ [1336d]
- ‘Apocalypse Clown,’ George Kane’s Ensemble Comedy, Boarded by Charades, Vertigo Releasing (EXCLUSIVE) [1336d]
- ‘The Company You Keep’ Drama Pilot at ABC Rounds Out Cast [1336d]
- The Best TV Deals to Shop This Weekend [1336d]
- The Big Break: Chris Rock Made Film Debut in ‘Beverly Hills Cop 2’ 35 Years Ago [1336d]
- Rory Kinnear on Playing the Title Character of ‘Men’ and Birthing the Film’s Finale [1336d]
- ‘The Stranger’ Review: Joel Edgerton Loses Himself in This Dark Australian Thriller’s Many Layers [1336d]
- U.K. and Italy Forge Pact to Step Up Film, TV Production Collaboration [1336d]
- Rithy Panh Rejoins TikTok Short Film Jury in Cannes [1336d]
- ‘Twisted Metal’ Peacock Series Casts Neve Campbell [1336d]
- Colcoa French Film Festival Becomes American French Film Festival, Sets October Dates [1336d]
- Reggie Hudlin and Done+Dusted to Produce the Emmys For Third Consecutive Year, This Time for NBC (EXCLUSIVE) [1336d]
- ‘Boy From Heaven’ Review: Risk-Taker Tarik Saleh Delivers a Conventional Treatment of a Daring Subject [1336d]
- ‘Spirit Halloween’: First Photos, Plot Details From Movie Inspired by Costume Store (EXCLUSIVE) [1336d]
- Billboard Promotes Mike Van to President, Dana Droppo Advances to Chief Brand Officer [1336d]
- Neon Buys Josh O’Connor and Isabella Rossellini’s ‘La Chimera’ [1336d]
- With Ellen DeGeneres and Wendy Williams Leaving, Daytime TV Sees Biggest Shake-Up Since Oprah’s Departure [1336d]
- Flavio Frederico to Direct Brazilian Bank Robbery Movie ‘São Paulo Heist’ (EXCLUSIVE) [1336d]
- Carlos Santana Documentary Coming From Director Rudy Valdez, Imagine, Sony Music Entertainment (EXCLUSIVE) [1336d]
- CNN Digital Editorial Chief Meredith Artley Is Leaving for ‘My Next Adventure With My Family’ [1336d]
- ‘Heartstopper’ Renewed for Two More Seasons at Netflix [1336d]
- Paperboat Reveals Animation Slate, Including ‘Kabuliwala’ Adaptation (EXCLUSIVE) [1336d]
- James Gray Says ‘Armageddon Time’ Exposes ‘White Privilege’ in America [1336d]
- David Jonsson, Joshua Maynard, Nathalie Emmanuel Join David Harewood’s ‘Benn/Eubank’ Feature Produced By Fulwell 73 (EXCLUSIVE) [1336d]
- Ketan Mehta Set to Direct Animated Feature Adaptation of Rudyard Kipling ‘Kim’ (EXCLUSIVE) [1336d]
- Horror Film ‘Two Witches’ Acquired by Arrow Films For U.S., U.K. and Canada (EXCLUSIVE) [1336d]
- Keira Knightley-Voiced Animated Biopic ‘Charlotte’ Picked Up By Parkland for U.K Distribution (EXCLUSIVE) [1336d]
- ‘Westworld’s’ Fares Fares to Make Directorial Debut With Feature ‘A Day and a Half’ for Netflix [1336d]
- Tallinn Black Nights Goes to Cannes With a Show of Support for Ukrainian Filmmakers [1336d]
- Tallinn Black Night’s TV Beats Forum Brings Regional Drama to the Fore [1336d]
- UFO Distribution Acquires French Rights to Ale Abreu’s ‘Perlimps’ (EXCLUSIVE) [1337d]
- Director Tarik Saleh on Depicting Tension Between State Security and Religious Power in Egypt in ‘Boy From Heaven’ [1337d]
- ‘One Fine Morning’ Review: Léa Seydoux Excels in Mia Hansen-Løve’s Wistful, Wandering Character Study [1337d]
- Paapa Essiedu on Alex Garland’s Hugely Divisive ‘Men’ and Attending the ‘Pretty Weird’ Met Gala [1337d]
- HBO Documentary Films Buys Cannes Title and Sundance Winner ‘All That Breathes’ (EXCLUSIVE) [1337d]
- Adil El Arbi, Bilall Fallah to Direct ‘2000’ About Sexual Abuse Survivor’s Rebellion (EXCLUSIVE) [1337d]
- ‘Armageddon Time’ Producers, ‘Harka’ Director Team for Horror ‘Son’ (EXCLUSIVE) [1337d]
- Jim Sheridan Biopic With U2 Songs In the Works From ‘Spinning Gold’ Director (EXCLUSIVE) [1337d]
- MK2 Films Shoots Remake of Wim Wenders’ 1982 Docu ‘Room 666’ During Cannes With Audrey Diwan, Joachim Trier [1337d]
- Mithila Palkar, Jaaved Jaaferi, Siam Ahmed Get ‘In the Ring’ With Muslim Woman Boxer Project (EXCLUSIVE) [1337d]
- Cannes Facetime: ‘Return to Seoul’ Director Davy Chou [1337d]
- ‘Holy Spider’ Producers Look to Hit High Note With Jazz Drama ‘Köln 75’ (EXCLUSIVE) [1337d]
- ‘El Faro,’ from ‘The Platform’ Co-Producers, Pounced On by FilmSharks (EXCLUSIVE) [1337d]
- Sadie Frost to Direct Doc on British Cultural Icon Twiggy, Studio Soho Launches Sales at Cannes (EXCLUSIVE) [1337d]
- Gullane Rolls Out New Movie Slate with Montenegro, Coimbra, Hamburger (EXCLUSIVE) [1337d]
- Japan’s Cannes Pics ‘Broker,’ ‘Plan 75’ Mark New Trend in Biz [1337d]
- Screen Media Buys Ryan Phillippe Thriller ‘The Locksmith’ (EXCLUSIVE) [1337d]
- Agustí Villaronga’s Dramedy ‘Loli Tormenta’ Boarded by Film Factory (EXCLUSIVE) [1337d]
- ‘Three Wishes for Cinderella,’ Starring Pop Star Astrid Smeplass, Sells to Shout! Studios in North America (EXCLUSIVE) [1337d]
- Korean Film Biz Boosted by Cannes Picks [1337d]
- Alain Attal, Studiocanal Team on Thomas Bidegain’s Survival Thriller Starring Gilles Lellouche, Melanie Thierry (EXCLUSIVE) [1337d]
- Ukraine Biz Shows Range in Cannes [1337d]
- China Has a Problem With Western Film Festivals, Not Just Cannes [1337d]
- Movie Adaptation of Bestselling Novel ‘A Whole Life’ Picked Up by Picture Tree Intl. (EXCLUSIVE) [1337d]
- Ukrainian Projects in Cannes [1337d]
- India Takes Steps to Add Theatrical Screens After COVID Closures [1337d]
- Anna Delvey Unveils Surreal NYC Art Show of Sketches Drawn in Prison: ‘My Narrative From My Perspective’ [1337d]
- Harry Styles Moves Smoothly Into His Next Era With the Intimate ‘Harry’s House’: Album Review [1337d]
- ‘Rust’ Set Safety Bills Stall in California Legislature [1337d]
- ‘Hunt’ Review: Trust No One in This Unpredictable Korean Spy-vs.-Spy Game [1337d]
- ‘Money Heist Korea’ Trailer Dropped by Netflix Ahead of June Release [1337d]
Previous Day