The Brutalist Report

Variety

• Sacheen Littlefeather’s Native American Heritage Disputed in Column Featuring Interviews With Her Sisters [1298d]
• Drake, 21 Savage Announce Joint Album ‘Her Loss’ [1298d]
• Bono Issues Another Apology for U2’s iTunes Album Debacle in New Memoir: ‘I Take Full Responsibility’ [1298d]
• When We Were Young Festival Cancels Saturday Performances Due to High Wind Warning [1298d]
• ESPN, Formula 1 Extend Track With New Rights Deal [1298d]
• ‘Black Adam’ Rocks the Box Office With $26.8 Million Opening Day, ‘Ticket to Paradise’ Landing in Second [1298d]
• Jazz Legend Ron Carter Reflects on His Relentless Musical Quest in Docu ‘Finding the Right Notes’ [1298d]
• Restored Sci-Fi Series ‘The Visitors’ Unveiled by Germany’s WDR [1298d]
• Monica Bellucci at Lumière Festival: Beauty Only Lasts Five Minutes If There’s Nothing Behind [1298d]
• ‘20th Century Girl’ Review: A Korean Teenager Navigates First Love and the Complexity of Female Friendship [1299d]
• ‘Wendell & Wild’ Review: Henry Selick’s Stop-Motion Caper Reunites Key & Peele as Eye-Tickling Demons, but It’s a Very Light Cracked Bauble [1299d]
• ‘Black Adam’ Post-Credits Scene With [SPOILER] and More Easter Eggs Explained [1299d]
• ‘The White Lotus’ Creator Mike White Reveals Fellow ‘Survivor’ Contestants Appear in Season 2 [1299d]
• ‘Blonde,’ ‘Elvis,’ ‘Tár’ and ‘Top Gun: Maverick” Among Contenders in Main Competition at Camerimage [1299d]
• How Culture House, the Women-Led Production Company behind ‘Hair Tales,‘ Is Challenging Hollywood’s Approach to Inclusion [1299d]