The Brutalist Report - variety
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- Austin Butler Pays Tribute to Lisa Marie Presley Following BAFTA Win: ‘It’s Been a Really Unimaginably Tragic Time’ [1176d]
- ‘Disco Boy’ Review: Franz Rogowski Does ‘Beau Travail’ in a Dreamy Legionnaire Odyssey [1176d]
- BAFTAs Accidentally Announce Carey Mulligan as Supporting Actress Winner Instead of Kerry Condon [1176d]
- Instagram Reinstates Pornhub Account After Five-Month Ban [1176d]
- ‘All Quiet on the Western Front’ Dominates BAFTA Awards With Record-Breaking Seven Wins [1176d]
- ‘Avatar: The Way of Water,’ ‘Ant-Man 3’ Boost Disney to $1 Billion at Global Box Office in 2023 [1176d]
- Could Mediocre Movies Save Movie Theaters? ‘Ticket to Paradise,’ ‘A Man Called Otto’ and ‘80 for Brady’ Say Yes [1176d]
- Meta Launching Paid Verified Accounts for Instagram and Facebook, Starting at $12 per Month [1176d]
- ‘Ingeborg Bachmann – Journey Into The Desert’ Review: Vicky Krieps Can’t Save an Oldfangled Biopic [1176d]
- Polish Buzz Titles at Berlin Film Festival [1176d]
- Karisma Kapoor Talks Zee Studios‘ Berlin Series Show ’Brown’ (EXCLUSIVE) [1176d]
- Boris Becker Serves up Candor at Berlin Event and in ‘Boom! Boom!’ Documentary [1176d]
- Emmy-Winning French VR Outfit Atlas V Poaches Secret Location Exec Michael Masukawa as it Expands U.S. Presence (EXCLUSIVE) [1176d]
- DR Sales Boards ‘Always Be Closing’ About the Dark Side of Telemarketing (EXCLUSIVE) [1176d]
- ‘Next from Spain’: First Look New Series from Alex de la Iglesia, ‘Los Javis,’ Movistar+ and Aina Clotet [1176d]
- Amy Powney Doc ‘Fashion Reimagined’ Sells Wide for MetFilm Sales at EFM (EXCLUSIVE) [1176d]
- Roald Dahl Publisher Edits ‘Charlie and the Chocolate Factory’ to Cut the Word ‘Fat’ for ‘Inclusion and Accessibility’ [1176d]
- Matt Damon Says he’s in ‘Early Stages’ on a Project About Ukraine at ‘Kiss The Future’ Berlinale Presser [1176d]
- Christopher Hampton, David Parfitt, Jacqueline West, Lynne Ramsay, Michael Winterbottom Set For Doha Film Institute Qumra Lineup [1176d]
- Raven Banner Pulls On ‘Trigger’ By The Philippines’ Richard Somes – EFM [1176d]
- Vicky Krieps on Berlin Competition Film ‘Ingeborg Bachmann’: ‘I Went So Far, I Felt Like I Almost Lost Myself’ (EXCLUSIVE) [1176d]
- ‘The Survival of Kindness’ Review: A Powerful Pessimism Scorches the Earth in Rolf de Heer’s Haunting Colonial-Oppression Allegory [1176d]
- Alief Delivers Sundance Award Winner ‘Mami Wata’ to International Buyers at EFM (EXCLUSIVE) [1176d]
- Director Tina Satter on Telling Whistleblower Reality Winner’s Story in Berlinale’s ‘Reality,’ Starring Sydney Sweeney [1177d]
- Fresh Faces: Nathan Stewart-Jarrett on Berlinale Drag Queen Revenge Thriller ‘Femme’ [1177d]
- Judd Apatow Skewers Tom Cruise in DGA Awards Monologue: His Stunts ‘Feel Like An Ad For Scientology’ [1177d]
- Life of Famous Turkish Photographer Ara Guler Set For Biopic Directed by Aren Perdeci, Ela Alyamac (EXCLUSIVE) [1177d]
- ‘Golda’ Director Guy Nattiv Address Helen Mirren Casting, Details Making an ‘Authentic’ Israeli Story [1177d]
- ‘Babylon,’ ‘Glass Onion’ and ‘Guillermo del Toro’s Pinocchio’ Take Top Honors at Art Directors Guild Awards: Full Winners List [1177d]
- Hollywood Is Still in Bed With Putin’s Pariah State — and the Russian Box Office Is Booming [1177d]
- Directors Guild Winners Announced (Updating Live) [1177d]
- ‘Outer Banks’ Renewed for Season 4 at Netflix [1177d]
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