The Brutalist Report

Variety

• Freeform Drops ‘Good Trouble’ Season 5 Trailer (TV News Roundup) [1157d]
• ‘You’ Tops Nielsen Streaming Top 10 With Over 1.7 Billion Viewing Minutes After Season 4 Release [1157d]
• Former 21st Century Fox Exec Hernan Lopez Convicted in FIFA Soccer Bribery Case [1157d]
• New Theatre Owners President Michael P. O’Leary on Challenges Facing the Movies and Why He Remains Optimistic [1157d]
• NBC, ‘People’s Choice Awards’ Create Separate Country Music Show [1157d]
• Disney CEO Bob Iger Says MCU Needs ‘Newness,’ but There’s ‘Nothing Off’ About Marvel Brand: ‘Do You Need a Third and Fourth’ Sequel? [1157d]
• Alec Baldwin ‘Wants His Day in Court’ as Judge Sets Two-Week Hearing in May [1157d]
• Variety’s Awards Circuit Podcast Roundtable Makes Its Final, Bold Oscars Predictions [1157d]
• ‘65’ Review: Adam Driver Battles Dinosaurs and Other Stone-Age Story Ideas in Derivative Thriller [1157d]
• ‘Shrinking’ Renewed for Season 2 at Apple TV+ [1157d]
• SXSW Nabs ‘John Wick 4’ for Secret Screening Slot (EXCLUSIVE) [1157d]
• Julia Garner, Halle Bailey and Paul Mescal Celebrate Oscars Week: Inside Vanity Fair’s Young Hollywood Party [1157d]
• ‘Dungeons & Dragons’ Directors on Ensuring the Film ‘Isn’t Just for Nerds’ and Why They Left ‘The Flash’ [1157d]
• Without Naming Spotify, Warner Music CEO Calls for Streaming Services to Raise Prices [1157d]
• WME Acquires BDA Sports Management, Bill Duffy to Head Agency’s Basketball Division [1157d]
• Anonymous Content Leadership Shake-Up: Dawn Olmstead and Heather McCauley Resign as CEO and COO [1157d]
• William Shatner on ‘Star Trek,’ Space Travel and Mortality: ‘I Don’t Have Long to Live’ [1157d]
• Charades Boards Icelandic Dark Comedy ‘Northern Comfort’ Ahead of SXSW Premiere, Unveils Clips (EXCLUSIVE) [1157d]
• ‘Act Your Age’ Becomes Bounce TV’s Most-Watched Half-Hour Series Debut with 2.14 Million Viewers (EXCLUSIVE) [1157d]
• How Composer Walter Mair Turned 800 Bars of ‘Musical Nonsense’ into ‘Liaison’s Score and Theme Tune [1157d]
• U2’s Bono and Edge, Joining David Letterman for Documentary Premiere, Say They Needed Him to ‘Take the Piss Out of Us’ [1157d]
• ‘Batman: Caped Crusader’ Moves to Amazon After HBO Max Axed J.J. Abrams, Matt Reeves Series [1157d]
• Warner Bros. Discovery Announces Rebranded Access Directors Program (EXCLUSIVE) [1157d]
• The Murdochs Bet Big on Live News to Float Fox. Will Dominion Court Case Break Their Bank? [1157d]
• Hulu Expands Unscripted Slate With ‘Love in Fairhope,’ ‘Royal Rules of Ohio,’ and ‘Secrets & Sisterhood: The Sozahdahs’ [1157d]
• Bob Iger Is ‘Bullish’ on Disney+ but ‘We Were Off’ on Pricing Strategy and Needed to Rationalize Costs [1157d]
• ‘Frybread Face and Me,’ Executive Produced by Taika Waititi, Drops First Look Ahead of SXSW Premiere (EXCLUSIVE) [1157d]
• 2023 Oscars Hub: Final Awards Predictions, Columns and Podcast Archives [1157d]
• Tessa Thompson’s Makeup Artist Alex Babsky Shares the Painting That Inspired Her ‘Creed’ Red Carpet Look [1157d]
• Octavia Spencer, Amblin Partners’ Kristie Macosko Krieger to Produce Film Adaptation of Donna Hill’s ‘Confessions in B-Flat’ (EXCLUSIVE) [1157d]
• Why SXSW Doc ‘Lady Bird Diaries’ Represented a ‘Delicious Opportunity’ for Filmmaker Dawn Porter [1157d]
• Lashan Browning, MTV Entertainment Studios Launch Production Company Antoinette Media [1157d]
• Apple Music Gives Classical Lovers Their Own Stand-Alone Streaming App [1157d]
• The Cure to Tour North America for the First Time in Seven Years [1157d]
• How Oscar Hopefuls Like ‘Elvis’ and ‘Aftersun’ Took Advantage of Creative, Cost-Effective Locations [1157d]
• ‘Aurora Teagarden Mysteries’ Returning to Hallmark Without Candace Cameron Bure, Skyler Samuels to Play Young Aurora in Prequel [1157d]
• ‘No Dogs or Italians Allowed,’ ‘Oink,’ ‘I’m Still Alive’ Lead Cartoon Movie Prizes, KMBO Named Distributor of the Year [1157d]
• ‘Every Body,’ an Intersex Doc From ‘RBG’ Director Julie Cohen, to Get a Focus Release (EXCLUSIVE) [1157d]
• Michael Shannon Got ‘A Little Confused’ When Asked to Star in ‘The Flash’ as General Zod: ‘I Think I Died’ in ‘Man of Steel’ [1157d]
• TikTok Star Dylan Mulvaney Recalls Coming Out as Trans at Age 4, Tells Trans Youth: ‘There Is a Light at the End of the Tunnel’ [1157d]
• ‘Reality,’ Berlin Breakout starring Sydney Sweeney, Sells Worldwide for MK2 Films (EXCLUSIVE) [1157d]
• Jennifer Lawrence Tries Everything to Sleep With a 19-Year-Old in Raunchy ‘No Hard Feelings’ Trailer [1157d]
• Tom Hiddleston, Sope Dirisu to Read Poetry at U.K.’s National Theatre for Ukraine Fundraiser [1157d]
• ‘The Native Dance,’ ‘Post Love’ Take Top Prizes at Thessaloniki Intl. Documentary Festival’s Industry Awards [1157d]
• Alex Jones Wants to Get Paid a $520,000 Annual Salary Under Proposed Bankruptcy Plan [1157d]
• ‘Yellowjackets’ Season 2 Trailer Builds Suspense With Florence + the Machine’s Moody ‘Just a Girl’ Cover [1157d]
• Streaming Brought Record Growth to the Music Business — TikTok and A.I. Need to Get It Right: Guest Post by RIAA CEO Mitch Glazier [1157d]
• UTA Signs Director Zeyad ‘Z’ Alhusaini Whose Kuwaiti Thriller ‘How I Got There’ Made a Splash at Saudi Arabia’s Red Sea Film Festival (EXCLUSIVE) [1157d]
• Angela Bassett Remembers Diahann Carroll and Cicely Tyson for Giving Her the ‘Courage to Stay the Course’ [1157d]
• Non-English Titles Surge 90% on Netflix U.K. as ‘All Quiet on the Western Front’ Tops Charts (EXCLUSIVE) [1157d]
• ‘Saturday Night Live’ Post-Production Editors to Strike April 1 Show (EXCLUSIVE) [1158d]
• Verizon Brings Back Netflix One-Year Free Offer, Will Run Oscars Ad Promoting Special Deal [1158d]
• GroupM Offers Plan to Expand Investment in Diverse Media [1158d]
• ‘School Spirits’ Is a Charming Teenage Ghost Story: TV Review [1158d]
• U.S. Recorded Music Revenue Scores All-Time High of $15.9 Billion in 2022, Per RIAA Report [1158d]
• Oscars Reject Ukrainian President Volodymyr Zelensky’s Bid to Appear on Telecast (EXCLUSIVE) [1158d]
• Mirror, Hong Kong Music Sensation, to Make English-Language Debut With ‘Rumours’ [1158d]
• ‘Sinatra The Musical’ to Premiere at Birmingham Rep – Global Bulletin [1158d]
• Transgender Indian SXSW Title ‘A Place of Our Own’ Boarded by Sales Agent The Open Reel (EXCLUSIVE) [1158d]
• Ed Sheeran Previews Single ‘Eyes Closed’ From New Album on TikTok [1158d]
• Star Wars Celebration London Unveils Panels, Guests [1158d]
• ‘Lyle, Lyle Crocodile’ Set for China Theatrical Release [1158d]
• ‘Good Omens’ Producer Chris Sussman Signs First Look Deal With Banijay U.K. [1158d]
• Saudi Arabia’s Film AlUla Partners With British Fashion Council in Push to Lure Fashion Film Shoots [1158d]
• Mae Muller to Represent U.K. at Eurovision Song Contest With ‘I Wrote A Song’ [1158d]
• Shah Rukh Khan’s ‘Pathaan’ Overtakes Hindi Version of ‘Baahubali 2’ at Box Office, Director Siddharth Anand Looks for Further Improvement (EXCLUSIVE) [1158d]
• Hollywood Publicists Find New Ways and Launch Innovative Campaigns to Keep Audiences Engaged [1158d]
• Bob Odenkirk Says He’s Starring in a Remake of Tommy Wiseau’s ‘The Room’: ‘I Tried My Best to Sell Every Line’ [1158d]
• Chaim Topol, Tevye in Film and Stage Versions of ‘Fiddler on the Roof,’ Dies at 87 [1158d]
• Law Firm Cowan DeBaets Names New Co-Head of Entertainment, New L.A. Office Heads, and Promotes Partner [1158d]
• Cowan, DeBaets, Abrahams & Sheppard Names New Co-Head of Entertainment, New L.A. Office Heads, and Promotes Partner [1158d]
• Bert I. Gordon, Cult Filmmaker Behind ‘The Food of the Gods’ and ‘Empire of the Ants,’ Dies at 100 [1158d]
• ‘Mike Judge’s Beavis and Butt-Head’ Season 2 Sets Premiere Date at Paramount+ (TV News Roundup) [1158d]
• Muhammad Ali Series in Development at Peacock From Regé-Jean Page, Morgan Freeman and Kevin Willmott [1158d]
• Florence Pugh on Making Movie ‘A Good Person’ With Zach Braff: ‘I Only Pick Very Intense Roles’ [1158d]
• Oscars Creative Team Reveals Ceremony Theme and How Last Year’s Slap Will Be Addressed: ‘We’re Going to Acknowledge It and Move On’ [1158d]
• Oscars: Red Carpet Beauty Treatments Celebs Rely On During Awards Season [1158d]