The Brutalist Report

Variety

• Korea Box Office: ‘Elemental’ Expands in Third Weekend, Whips ‘Indiana Jones’ [1038d]
• Universal Music to Buy RS Group Catalog in Thailand, Establish Partnership in Fast-Growing Market [1038d]
• Choi Ju-hui Appointed CEO of TVing, First Female Head in Korean Streaming Sector [1038d]
• Neil Young Leans Hard Into Obscurities — as Promised — in Magical Tour Opener at L.A.’s Ford: Concert Review [1038d]
• Dick Biondi, Chicago Radio Legend, Dies at 90 [1038d]
• From Taylor Swift to Pearl Jam: ‘The Bear’ Producers on How They Crafted Season 2’s Sizzling Soundtrack [1038d]
• Alan Arkin Remembered: ‘The Russians Are Coming, The Russians Are Coming’ Director Norman Jewison on His ‘Brilliantly Funny’ Friend [1038d]
• ‘Indiana Jones 5’ Underwhelms With $70 Million at International Box Office, ‘Spider-Verse’ Hits $600 Million Globally [1038d]
• Box Office: ‘Indiana Jones and the Dial of Destiny’ Stumbles With $60 Million Debut, ‘Ruby Gillman, Teenage Kraken’ Flops [1038d]
• Ewan McGregor Admits He Used to Show His Kids the Toilet Scene From ‘Trainspotting’: ‘Just for a Laugh’ [1038d]
• Alicia Vikander Says Her Role in Sci-Fi Thriller ‘The Assessment’ Is ‘Pretty Wild,’ and ‘Scares’ Her [1038d]
• Zoe Saldana Talks Playing an Illegal Immigrant in Marco Perego’s Border Thriller ‘Absence of Eden’ [1038d]
• ‘Into the Woods’ Review: A Tour for Stephen Sondheim’s Masterpiece Brings Broadway Brilliance to L.A.’s Ahmanson [1039d]
• ‘High Desert’ Canceled at Apple TV+ After One Season, Patricia Arquette Shares [1039d]