The Brutalist Report

Variety

• Mark Zuckerberg Says Elon Musk ‘Isn’t Serious’ About Cage Fight: ‘It’s Time to Move On’ [783d]
• ‘Fantasticks’ Lyricist Tom Jones Was Sanguine About the Musical’s Tangled History With Hollywood, Including a Near-Miss With Barbra Streisand [783d]
• Locarno Emerging Director Winner Katharina Huber Breaks Down ‘A Good Place’: ‘Progress Can Sometimes Be Reactionary’ [783d]
• Has the NC-17 Rating Become an Unworkable Anachronism? [783d]
• CBS News Chief Neeraj Khemlani Exits [783d]
• ‘Barbie’ Hits $1.18 Billion at Global Box Office, ‘Oppenheimer’ Nears $650 Million Mark [783d]
• ‘Dahmer’ Editor Explains Cutting Scenes to Avoid Creating Sympathy for Serial Killer [783d]
• Queens of the Stone Age Brings Raw Fury to Forest Hills Stadium at Rousing New York Stop: Concert Review [783d]
• Billy Porter Slams Harry Styles’ Gender-Neutral Vogue Cover: ‘You’re Using My Community’ [783d]
• ‘90 Day Fiancé’ Casting Director On Recruiting the Spinoff’s First Transgender Woman and Deaf Person [783d]
• Cinderella-like Tale ‘Rift in the Ice’ Looks at How Ice-skaters Are ‘Sexualized and Objectified’ [783d]
• How ‘Hocus Pocus 2’ Became a Streaming Hit After Original Bombed at the Box Office [783d]
• Box Office: ‘The Last Voyage of the Demeter’ Flops With $6.5 Million, ‘Barbie’ Keeps Her Crown For 4th Weekend With $33.7 Million [783d]
• ‘The White Lotus’ Costume Designer’s Vision for Harper and Daphne Transformed After Meeting Aubrey Plaza and Meghann Fahy [783d]
• Pedro Almodovar’s El Deseo, ‘Argentina, 1985’ Producer Infinity Hill, Peru’s Tondero Team for Embassy Hostage Crisis Drama (EXCLUSIVE) [783d]