The Brutalist Report

Variety

• Shohei Ohtani Signs Record $700 Million Deal With Dodgers [657d]
• Dave Robb, Veteran Hollywood Labor Reporter and Variety Alum, Dies at 74 [657d]
• Laufey on How She Makes Gen Z Audiences Scream for Her Updated Take on Traditional Jazz-Pop: ‘I Became the Singer That I Wanted to Look Up To’ [657d]
• Lola Dee, Singer of ‘Pretty Eyed Baby,’ Dies at 95 [657d]
• NXT Deadline 2023 Live Stream: How to Watch the WWE Premium Event Online Free [657d]
• The Impact Wrestling Era Ends Tonight With ‘Final Resolution:’ Here’s How to Watch the Event Online [657d]
• Justine Triet’s ‘Anatomy of a Fall’ Wins Best Film at European Film Awards [657d]
• ‘May December’ Composer Marcelo Zarvos Explains Viral Hot Dog Scene Motif: ‘The Music Destabilizes the Viewer’ [657d]
• ‘Lizzie McGuire’ Producer Stan Rogow Dies at 75 [657d]
• ‘Leave the World Behind’ Ending Explained: Author Rumaan Alam on the Significance of ‘Friends’ and the Accuracy of That Final Theory [657d]
• Box Office: ‘The Boy and the Heron’ Rises to No. 1 in North America With Projected $10 Million Debut [657d]
• Taraji P. Henson and Jeffrey Wright Bond Over Conquering All Genres: ‘If It Doesn’t Scare the S— Out of Me, I Don’t Want to Do It’ [657d]
• Fortnite Is Reviving Rock Band — With a Little Help From the Weeknd [657d]
• Sofia Coppola on Portraying Elvis in ‘Priscilla’: ‘I Really Tried Not to Make Him the Villain’ [657d]
• ‘Gossip Girl’ Star Ed Westwick, ‘Doc Holliday’ Actor Billy Blair Thriller ‘Tonic’ Sales Boarded by Oceana Studios (EXCLUSIVE) [657d]
• Arab Cinema Steps into Genre to Tell Authentic and Diverse Stories as Audience Appetite for Horror and Fantasy Grows [657d]
• James Ivory Documentary Leads New York’s Min(d) Studio Slate (EXCLUSIVE) [657d]
• Singapore-Spain Animation Co-Production ‘The Violinist’ Launches at ATF [657d]
• ‘Tiger Stripes’ Review: Puberty Brings Out the Monster Within in Feisty Malaysian Genre Movie [658d]
• Golden Globe Awards Picket Averted as Beverly Hilton Reaches Tentative Deal to End Hotel Workers Strike [658d]
• ‘Alhamour H.A.’ Review: Saudi Arabia’s Oscar Submission Is a Wannabe ‘Wolf of Wall Street’ [658d]
• ‘Love Has Won: The Cult of Mother God’ Director Answers Burning Questions: Why She Didn’t Emphasize QAnon Propaganda — and How She Incorporated Amy Carlson’s Corpse [658d]
• ‘In the Shadow of Beirut’ Review: Lyrical Snapshots From a Beleaguered City’s Underside [658d]