The Brutalist Report

Variety

• ‘The Last of Us Part II Remastered’ Director Matthew Gallant Unpacks No Return Mode and Lost Levels [613d]
• ‘Flight Attendant’ Not Returning for Season 3 at Max [613d]
• Riley Keough, Jesse Eisenberg Spent Two Hours Transforming Into Bigfoot With ‘Tons of Fur’ for Absurdist Sundance Movie ‘Sasquatch Sunset’ [613d]
• ‘Rust’ Armorer’s Attorney-Client Texts Mistakenly Given to Key Witness [613d]
• Green Day Previews New Album ‘Saviors’ at Intimate, Hit-Filled Irving Plaza Show [613d]
• An Oscar-Winning Icon Showed Up to the ‘Freaky Tales’ Set on Day Two and Delivered Sundance’s Most Surprising Cameo: ‘We Were Thrilled’ [613d]
• Eladio Carrión’s ‘Sol María’ Finds Its Balance in Experimental Latin Trap: Album Review [613d]
• Jesse Eisenberg Says His Sundance Jewish Buddy Movie Is ‘Not Political’ and Gives His Advice to New Lex Luthor Nicholas Hoult: ‘Don’t Watch Me!’ [613d]
• Comedy Central Won’t Choose ‘Daily Show’ Host After Year-Long Search [613d]
• Green Day’s Sociopolitical Sarcasm Ages Well in Sharp ‘Saviors’: Album Review [613d]
• Lucy Liu Doesn’t Think ‘Charlie’s Angels 3’ Will Ever Get Made: ‘I Will Be Shocked if That Happened’ [613d]
• Paramount Global SVP of Streaming Strategy Sean Gupta Is Exiting [613d]
• ‘Emily in Paris’ Star Ashley Park Hospitalized for Critical Septic Shock, Now Recovering: ‘I’m Safely on the Other Side of the Worst’ [613d]
• Sports Illustrated Has Laid Off ‘Possibly All’ Editorial Staffers, Union Says [613d]
• ‘The Moogai’ Reveals The Real-Life Horror of Stolen Aboriginal Children — and Could Be Australia’s ‘Get Out’ [613d]
• Jodie Foster Says Warner Bros. Giving Greta Gerwig ‘All the Money to Support’ Her ‘Barbie’ Vision Is ‘New for Women Directors’: ‘I Hope It Continues’ [613d]
• Lance Frank, Christa Robinson Given Expanded Communications Roles for CBS News, Stations, Media Ventures [613d]
• EDGLRD to Kick Off Experimental Tour for Harmony Korine’s ‘Aggro Dr1ft’ at L.A. Strip Club [613d]
• Sundance 2024: Netflix Buys ‘Ibelin,’ Documentary About Late Norwegian Gamer, in One of Festival’s First Sales [613d]
• ‘I Saw the TV Glow’ Is Director Jane Schoenbrun’s Honest, Surreal Exploration of Trans Identity — And A24’s Boldest Horror Movie Yet [613d]
• Anna Wintour Kept Her Sunglasses On the Entire Time She Was Telling Pitchfork Staffers They Were Getting Laid Off, Writer Says [613d]
• How ‘Gaucho Gaucho’ Directors, Whose ‘Truffle Hunters’ Won Critical Acclaim, Were Welcomed Into Argentina’s Cowboys and Cowgirls Community [613d]
• Klaudia Reynicke’s Sundance Entry ‘Reinas’ Explores Family Ties [613d]
• ‘Kneecap’ Biopic Acquired by Sony Pictures Classics in First Major Sundance Sale (EXCLUSIVE) [613d]
• Searchlight Pictures Giving Laura Chinn’s ‘Suncoast’ a Theatrical Run Ahead of Streaming Debut (EXCLUSIVE) [613d]
• Apple’s Vision Pro Won’t Have Netflix, YouTube or Spotify Apps at Launch [613d]
• France’s New Culture Minister Rachida Dati Says Movies ‘Save Lives’ in First Address to Entertainment Industry Players [613d]
• Ruth Wilson’s Striking Performance in ‘The Woman in the Wall’ Doesn’t Make Up for the Gothic’s Dense Narrative: TV Review [613d]
• Mark Ronson to Receive Music for Life Honor at NAMM Show [613d]
• ‘10 Lives’ Director Chris Jenkins on Animating Cat Butts and Working With Zayn Malik: ‘We Immediately Bonded’ [613d]
• ‘The Last of Us, Part II’ Remastered Is Available for PS5: Here’s How to Get a Copy of the Video Game Online [613d]
• Why Director Carla Gutierrez Wanted Frida Kahlo to Tell Her Own Story in the Sundance Doc ‘Frida’ [613d]
• ‘How to Have Sex’ Director Molly Manning Walker on ‘Unexpected’ BAFTA Nominations and What’s Next: ‘I Want Everyone to Question What We’re Making’ [613d]
• Sundance Documentary ‘A New Kind of Wilderness’ Tracks Family Whose Dream Life Became a Nightmare [613d]
• Off-Peak TV: Number of U.S. Scripted Shows Fell 24% in 2023, Study Finds [613d]
• Berlinale Panorama Title ‘Memories of a Burning Body’ Swooped On by Bendita Film Sales (EXCLUSIVE) [613d]
• Belgian Comedy Duo Behind Sundance Movie ‘Mother Schmuckers’ to Direct ‘Heads or Fails’; Best Friend Forever Boards Sales (EXCLUSIVE) [613d]
• ‘Pushpa 2,’ ‘Singham 3,’ ‘Bade Miyan Chote Miyan’ Potential Hits, but Distributor Predicts Weaker 2024 Bollywood Global Box Office [613d]
• Jacob Elordi Is ‘Assuming’ ‘Euphoria’ Season 3 Will Take Place in the Future: ‘Otherwise, It’s Going to Seem Like a Weird Bit’ [613d]
• ‘Schitt’s Creek’ Star Emily Hampshire’s Horror Film ‘Mom’ Boarded by Blue Finch Ahead of EFM (EXCLUSIVE) [613d]
• Red Arrow Studios International Closes Portugal on Icelandic ‘Descendants,’ a Tale of Greed, Sibling Rivalry From ‘Quake’ Director (EXCLUSIVE) [613d]
• ‘The Young Pope’ Producers Mario Gianani, Lorenzo Mieli Exit Fremantle to Form New Outfit [613d]
• ‘Skywalkers: A Love Story’ Review: A Thrilling, Vertigo-Inducing Documentary That Scales the Heights of Fear and Devotion [613d]
• ‘Freaky Tales’ Review: Pedro Pascal, Jay Ellis and [You’ll Never Guess] Steal Overstuffed Oakland Homage [613d]
• Warner Bros. Discovery Signs Five-Year Indian Cricket Rights Deal for U.K., Ireland – Global Bulletin [613d]
• ‘Your Monster’ Review: A Miscast Melissa Barrera Bonds With the Beast Under Her Bed [613d]
• Christopher Nolan Hates Getting Recognized in Public, According to Robert Downey Jr. [613d]
• ‘Veni Vidi Vici’ Scandalizes Sundance With Infanticide, Brangelina and Balenciaga [613d]
• Sundance Kicks Off With Big Applause for Bloody Nazi-Killing Revenge Movie ‘Freaky Tales’ and a Heartfelt Tribute to Angus Cloud [613d]
• ‘Thelma’ Review: Lifelong Character Actor June Squibb Lands a Leading Role … in an Unlikely Action Movie [613d]
• ‘Veni Vidi Vici’ Review: Ruthless Austrian Satire Takes Aim at the Superrich, Treating Capitalism as a Most Dangerous Game [614d]
• ‘Power’ Review: Yance Ford Provides a Detached, Academic Inquiry Into Policing [614d]
• Kristen Stewart Arrives at Sundance, Says Getting Funding for Her Feature Directorial Debut Is ‘Why We’re Here’: ‘I’m Going to Make That F—ing Movie!’ [614d]
• Tom Hollander’s Truman Capote Faces Off Against the Swans in FX’s New ‘Feud’ Trailer [614d]
• Michael B. Jordan and Ryan Coogler Reteaming for Original Genre Film [614d]
• Rob Lowe Mistakenly Texted Bradley Cooper About Winning a Golden Globe Instead of Robert Downey Jr; Cooper Lost the Award: ‘Oh S—!’ [614d]
• ‘Origin’: Why Kris Bowers’ ‘Leaves’ Music Cue Made Ava DuVernay Break Down in Tears (EXCLUSIVE) [614d]
• ‘Eno’ Review: A Compelling Portrait of Music Visionary Brian Eno Is Different Each Time You Watch It [614d]
• ‘Exorcism Chronicles: The Beginning,’ Korean Animated Horror Film, Joins Finecut EFM Slate [614d]
• Kelly Osbourne Admits ‘I Was a Self-Righteous C—‘ for That ‘If You Kick Every Latino Out of This Country’ Comment: ‘The Worst Thing I’ve Ever Done’ [614d]
• ‘Ghostlight’ Review: The Duo Behind ‘Saint Frances’ Find Fresh Layers in Shakespeare’s ‘Romeo and Juliet’ [614d]