The Brutalist Report - variety
- How an Absent Father, a Facebook Doppelgänger and Barbie Ferreira’s Baby Pictures Helped Create SXSW Film ‘Bob Trevino Likes It’ [559d]
- ‘Songs From the Hole’ Review: The Mesmerizing Story of a Rap Album Created Behind Bars That Helped a Convict Find Redemption [559d]
- Oscar Final Picks in Every Category, as Debated by Variety’s Awards Circuit Podcast Roundtable [559d]
- ‘Harry Potter’ Actor Miriam Margolyes Says Adult Fans ‘Should Be Over’ the Franchise by Now: ‘It’s for Children’ [559d]
- Jean Smart and ‘Hacks’ Team Tease a ‘Totally Unexpected’ Season 3 Twist at SXSW Premiere [559d]
- ‘Conan O’Brien Must Go,’ the Host’s Return to TV, Gets a Max Premiere Date [559d]
- ‘Kung Fu Panda 4’s’ Chameleon Was One of Dreamworks’ Most Complex Creations: ‘Every Little Spike on Her Hand…Was Completely Animatable’ [559d]
- Colman Domingo Explains Why He Attended the SXSW Premiere of ‘Sing Sing’ the Same Weekend as the Oscars (EXCLUSIVE) [559d]
- ‘How to Build a Truth Engine’ Review: A Sobering but Fatally Flawed Doc on Disinformation [559d]
- ‘I Love You Forever’ Review: A Suffocating Beau Ties Together Genres in a Nifty Millennial Rewrite of Rom-Coms [560d]
- Alexander Payne’s ‘The Holdovers’ Accused of Plagiarism by ‘Luca’ Writer (EXCLUSIVE) [560d]
- ‘Imaginary’ Star Betty Buckley on Embracing Playing Another ‘White-Haired Weirdo’ and Why She’s Unsure About a Return to Broadway [560d]
- AI is Sticking Point in SAG-AFTRA Video Game Contract Talks; Strike Appears ’50-50 or More Likely’ Union Chief Says at SXSW [560d]
- Box Office: ‘Kung Fu Panda 4’ Chopping Up $55 Million Opening Weekend, ‘Dune 2’ Rising Above $150 Million Domestic [560d]
- ‘Red Island’ Review: Robin Campillo’s Disjointed but Alluring Memory Piece [560d]
- WWE Sells Ring Mat Sponsorship for First Time in ‘Record-Setting’ Pact With Logan Paul’s Prime Sports Drink [560d]
- ‘Saturn Return,’ ‘Radical,’ ‘Little Loves’ Top Spain’s Malaga Festival [560d]
- Japanese Sci-Fi Movie ‘From the End of the World’ Takes Premier Prize at Genre Festival Fantasporto [560d]
- Razzie Awards: Megan Fox and Sylvester Stallone Win Worst Acting Prizes; ‘Winnie the Pooh: Blood and Honey’ Nabs Five Dishonors [560d]
- Oscars U.K. Broadcast Fronted by Jonathan Ross Will Cater to ‘Superfans,’ Promises ITVX Boss [560d]
- Donatella Versace and Dwyane Wade Host Los Angeles LGBT Center Event After Designer Gets Stuck in Elevator: ‘One of Her Security Ripped Open the Doors’ [560d]
- Netflix’s ‘3 Body Problem’ Cements ‘Game of Thrones’ Creators as Masters of Adapting the Unadaptable: TV Review [560d]
- Women in Film Oscars Party Celebrates Continued Fight for Parity: ‘We’ll Be Here As Long As It Takes’ [560d]
- ‘I Don’t Understand You’ Review: Nick Kroll and Andrew Rannells’ Gay Italian Vacay Takes a Demented Turn [560d]
- ‘Road House’ Review: Jake Gyllenhaal Takes Command in an Ultraviolent Retread That Makes Slumming Look Artful [560d]
- Hannah Einbinder, Samantha Bee, John Leguizamo and More Deliver Laughs and a Few Tears for Variety’s Power of Comedy at SXSW [560d]
- Stormy Daniels and Judd Apatow Bring a Personal and Political Doc to SXSW: ‘F— Trump’ [560d]
- ‘High Tide’ Review: A Lukewarm Queer Immigrant Drama With a Blazing Lead Performance [560d]
- ‘Stormy’ Review: At SXSW, a Documentary About the Stormy Daniels Saga Wonders Where the Outrage Is [560d]
- ‘Dead Mail’: Inside the Buzzy SXSW Thriller That Feels Like a Sinister ’80s VHS Found Deep in a Midwest Closet [560d]
- ‘Road House’ Director Doug Liman Attends SXSW After Saying He’d Boycott Due to Amazon’s Streaming Release [560d]
- ‘Imaginary’ Star DeWanda Wise on Preparing to Battle Chauncey the Teddy Bear and the Best Sequel Idea [560d]
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